Search results
James Mitchell Leisen (October 6, 1898 – October 28, 1972) was an American director, art director, and costume designer. Film career.
Mitchell Leisen. Director: Death Takes a Holiday. Mitchell Leisen was born on 6 October 1898 in Menominee, Michigan, USA. He was a director and art director, known for Death Takes a Holiday (1934), The Mating Season (1951) and Hold Back the Dawn (1941).
- January 1, 1
- Menominee, Michigan, USA
- January 1, 1
- Woodland Hills, Los Angeles, California, USA
Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses.
- Michael Barson
Jun 8, 2021 · James Mitchell Leisen was born into an affluent middle-class American family in 1898, right at the twilight of the 19th century. Suburban peace and familial security weren't lasting factors of his childhood, however. By the time Leisen was five, his parents were divorced.
Oct 20, 2005 · Mitchell Leisen was a versatile and stylish director who made witty romantic comedies, dreamy fantasies and flamboyant musicals in 1930s and 1940s Hollywood. He also explored gay themes and psychoanalytical ideas in his films, challenging the conventions of his time and genre.
1. Midnight (1939) Passed | 94 min | Comedy, Romance. A chorus girl stranded in Paris is set up by a millionaire to break up his wife's affair with another man, while being romantically pursued by a cab driver. Director: Mitchell Leisen | Stars: Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer.
People also ask
Who is Mitchell Leisen?
Is Mitchell Leisen a woman's director?
Is Mitchell Leisen dead or still alive?
What happened to Mitchell Leisen?
May 15, 2016 · Billy Wilder once described director Mitchell Leisen, who worked on many of his early scripts, as little more than a ‘window dresser.’ Preston Sturges, another venerated master, seemed to share his disdain for Leisen, which may have been prompted as much by the man’s homosexuality as the quality of his work.
