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Elisabeth Subrin is a Brooklyn-based filmmaker, screenwriter, and visual artist. She is known for her interdisciplinary practice in the contemporary art and independent film worlds. She is a professor in Temple University's Department of Film and Media Arts.
LONG BIO: Elisabeth Subrin is a New York-based filmmaker, writer and visual artist who creates works in film, video, photography, and installation. Her critically acclaimed projects explore intersections between cultural history and subjectivity, through a feminist lens.
Elisabeth Subrin is a New York–based award-winning director and artist. Her critically acclaimed films and video installations have been featured in numerous festivals and exhibitions internationally, including solo shows at the Museum of Modern Art, New York; Film at Lincoln Center, New York; and the 2020 Viennale, Vienna.
Elisabeth Subrin. PROJECTS. — Maria Schneider, 1983. — A Woman, A Part. — Who Cares About Actresses. — Damage Report. — Her Compulsion to Repeat. — Lost Tribes and Promised Lands. — Sweet Ruin.
"A cinematic doppelganger without precedent, Elisabeth Subrin's Shulie uncannily and systemically bends time and cinematic code alike, projecting the viewer 30 years into the past to rediscover a woman out of time and a time out of joint—and in Subrin's words, 'to investigate the mythos and residue of the late 60s.'
Filmmaker and artist Elisabeth Subrin's The Listening Takes (2023) presents three portraits of the subversive French actress Maria Schneider (1952–2011) within an immersive sound, video, and sculptural installation.
May 24, 2016 · One of the most memorable experimental films of recent decades, Elisabeth Subrin’s Shulie (1997), was also one of the most elusive; a scene-by-scene remake of a once-forgotten 16mm documentary made in 1967.
