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Márton Keleti (27 April 1905 – 20 June 1973) was a Hungarian screenwriter and film director. He directed 50 films between 1937 and 1973. His 1959 film Yesterday was entered into the 1st Moscow International Film Festival. Selected filmography. The Man Under the Bridge (1936) Sensation (1936) Viki (1937) Barbara in America (1938)
Keleti Márton sírja Budapesten. Farkasréti temető: 6/3-1-35/36. Keleti Márton (Budapest, Erzsébetváros, 1905. április 26. – Budapest, 1973. június 20.) háromszoros Kossuth-díjas magyar filmrendező, érdemes és kiváló művész.
Márton Keleti. Director: The Corporal and Others. He learnt directing from Pál Fejös, and László Vajda as an assistant director. In 1937 he made his first film followed by 2 other films in the same year, (A harapós férj, a Viki and Torockói menyasszony). Between 1939 and 1944 he couldn't make films because he was Jewish.
- January 1, 1
- Budapest, Austria-Hungary [now Hungary]
- January 1, 1
- Budapest, Hungary
Márton Keleti. Director: The Corporal and Others. He learnt directing from Pál Fejös, and László Vajda as an assistant director. In 1937 he made his first film followed by 2 other films in the same year, (A harapós férj, a Viki and Torockói menyasszony). Between 1939 and 1944 he couldn't make films because he was Jewish.
- April 27, 1905
- June 20, 1973
Jun 20, 2023 · Keleti Márton, aki 1950-től a Színház-és Filmművészeti Főiskola filmfőtanszékének vezetője volt, az abszolút profizmus megtestesítőjeként, a biztos siker védjegyeként vonult be a magyar filmtörténelembe, nevéhez mintegy negyven magyar filmsiker fűződik.
Though best known for the light comedies he made following World War II, Hungarian filmmaker Márton Keleti adeptly directed films in genres ranging from political dramas to musicals. Before entering the film industry, Keleti had worked in musical theater as a stage manager and opera director.
director, writer. 68 years (Hungary). biography, photo, best movies and TV shows, awards, news, birthday and age, Date of Death. «Csínom Palkó» (1973), «Bob ...
