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R. K. Nayyar (born Ram Krishna Nayyar, 1930 – 1995) was an Indian film director, producer and screenwriter in Hindi language films.
Ram Krishna Nayyar (R. K. Nayyar), who had previously worked as assistant director on a few films, directed this film. He also created her trademark look, called the Sadhana cut, inspired by British actress Audrey Hepburn.
Mar 24, 2024 · R K Nayyar graduated from the prestigious Hindu College in Delhi University and then went on to complete his legal education. He also completed his Diploma in Mechanical Engineering and then served a full length in Western Railways, based mainly at Ahmedabad, Gujrat.
R. K. Nayyar was a popular filmmaker of Bollywood, best known for his debut work – Love in Shimla, released in 1960. The movie also marked the Bollywood debut of actress Sadhana Shivdasani, who later became his wife and the movie turned out to be a blockbuster, establishing Sadhana as a leading actress of 1960s. 16-year old Sadhana fell in ...
Love In Simla is a 1960 Indian romance film, produced by Sashadhar Mukherjee and his Filmalaya production house. Directed by R. K. Nayyar, who co-wrote the script with Agha Jani, the film had the producer's son, Joy Mukherjee, in the lead role.
R.K. Nayyar is known for Qatl (1986), Intaquam (1969) and Yeh Zindagi Kitni Haseen Hai (1966). He was previously married to Sadhana Shivdasani.
R.K. Nayyar is known for Qatl (1986), Intaquam (1969) and Yeh Zindagi Kitni Haseen Hai (1966). He was previously married to Sadhana Shivdasani.
R K Nayyar was an Indian film director. Besides directing the films, he also used to produce and screenwrite the stories in Hindi. He directed the first Hindi film, Love in Simla, which was released in 1960.
Director, producer and screenwriter in Hindi language films, R K Nayyar is known for films such as Love in Simla (1960), Yeh Zindagi Kitni Haseen Hai (1966), Intaqam (1969), and Qatl (1986). He was married to popular actress Sadhana Shivdasani.
Dec 26, 2015 · It was directed by R K Nayyar, who later became her husband, and who, more importantly, created that very Audrey Hepburn like-cut: it began as a ploy to hide her “too-wide” forehead, but it became Sadhana’s trademark from the get go.
