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Marco Beltrami (born October 7, 1966) is an American composer of film and television scores. He has worked in a number of genres, including horror (Scream, Mimic, The Faculty, Resident Evil, The Woman in Black, Carrie, A Quiet Place, and The Nun II), action (Terminator 3: Rise of the Machines, Live Free or Die Hard, World War Z), science fiction (I, Robot, Snowpiercer), Western (3:10 to Yuma, Jonah Hex, The Homesman), and superhero (Hellboy, The Wolverine, Logan, Venom: Let There Be Carnage).
Contact. Pianella Studios. 0:00. 0:00. This is the official website for Oscar-nominated composer Marco Beltrami, known for his work on 3:10 to Yuma, The Hurt Locker, Hellboy, Scream, Logan, Live Free or Die Hard, and more.
Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), Knowing (2009) and World War Z (2013). Menu
Ferrari, Marco composed the Universal feature, Renfield, starring Nicholas Hoult and John Woo’s upcoming action feature Silent Night. Upon completing his undergraduate studies at Brown University, Beltrami entered the Yale School of Music on a scholarship. His pursuit of music composition then led him to Venice, Italy for a period of study ...
Marco Beltrami is one of ten composers contributing a movement for upcoming concert tribute to Bob Peak - PICTURES AT AN EXHIBITION. Here is an excerpt from the announcement from Robert Townson: "I have countless favorite classical pieces, but one of my favorites has always been Mussorgsky’s Pictures at an Exhibition.
Congratulations to Marco Beltrami and his team on the new HMMA for A QUIET PLACE PART II won a few hours ago. This is Marco Beltrami's fhird HMMA following THE SESSIONS and FORD V FERRARI. For the complete list of winers, visit Billboard.
Marco Beltrami has brought new dimensionality to the scoring of suspense and horror in the cinema, yet his quixotic progress through many genres of film music reflects more than mere creative restlessness.In coming to film music, Beltrami sought to escape from the late 19th century harmonies and melodies that the immigrant Hollywood composers of the early 20th Century brought with them from Europe, their legacy having endured as a dominant paradigm for score writing."Though there will always ...