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1. www.ranker.com › list › norma-shearer-movies-andThe 40+ Best Norma Shearer Movies - Ranker

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   Jul 3, 2024 · We Were Dancing is a 1942 comedy romance film based on the story by Noel Coward, written by Claudine West, Hans Rameau, George Froeschel and Lenore J. Coffee, and directed by Robert Z. Leonard.

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3. operawire.com › festival-daix-en-provence-2024Festival d'Aix-en-Provence 2024 Review: Samson - OperaWire

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   5 days ago · Festival d’Aix-en-Provence 2024 Review: Samson. Pichon & Gluth Reimagine Rameau with a Stellar Cast Including Jacquelyn Stucker’s Unforgettable Performance. By João Marcos Copertino.

4. www.nytimes.com › 2024/07/08 › artsA Lost Masterpiece of Opera Returns, Kind Of - The New York Times

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   Jul 8, 2024 · Voltaire and Rameau looked so much alike, how could they not have ended up as collaborators? An 18th-century drawing shows them bowing to each other, mirror images of gangly bodies and jutting...

5. www.ranker.com › list › marjorie-main-movies-andThe 40+ Best Marjorie Main Movies, Ranked By Fans

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   Jul 3, 2024 · We Were Dancing is a 1942 comedy romance film based on the story by Noel Coward, written by Claudine West, Hans Rameau, George Froeschel and Lenore J. Coffee, and directed by Robert Z. Leonard.

6. www.ranker.com › list › list-of-all-movies-releasedList of All Movies Released in 1930 - Ranker

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   Jul 3, 2024 · Achtung! Auto-Diebe! is a 1930 German crime film directed by Harry Piel and written by Hans Rameau. The film starred Harry Piel and Leopold von Ledebur.

7. garsingtonopera.org › whats-on › plateePlatée | Garsington Opera

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   Jun 30, 2024 · A comic-tragic opera with grand choruses and fabulous dances plays out in a world of glamour and deception. Rameau’s Platée is a first for Garsington Opera as we delve into the world of French Baroque opera, made possible by our special partnership with The English Concert.

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   What is Rameau's Platée?

   • A comic-tragic opera with grand choruses and fabulous dances plays out in a world of glamour and deception. Rameau’s Platée is a first for Garsington Opera as we delve into the world of French Baroque opera, made possible by our special partnership with The English Concert.

   Platée | Garsington Opera

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   Who are Rameau & Guth?

   • Rameau’s stage works, his mixture of refinement and energy, are familiar territory for Pichon and Pygmalion. And Guth is a veteran experimenter with older repertory; recently, in “Doppelganger” at the Park Avenue Armory, he staged Schubert’s “Schwanengesang” as a moody dreamscape in a soldiers’ hospital.

   A Lost Masterpiece of Opera Returns, Kind Of

   www.nytimes.com/2024/07/08/arts/music/samson-pichon-guth-aix-festival-rameau-voltaire.html

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   Why did Voltaire complain about Rameau?

   • “Rameau rants, Rameau claims that I’ve cut his throat, that I treat him like a Philistine,” Voltaire complained as the composer demanded an allegorical prologue (then standard in opera) and other adjustments to soften the libretto’s modernizing impulses.

   A Lost Masterpiece of Opera Returns, Kind Of

   www.nytimes.com/2024/07/08/arts/music/samson-pichon-guth-aix-festival-rameau-voltaire.html

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   How did Voltaire & Rameau collaborate?

   • Voltaire and Rameau’s collaboration started off exuberant but eventually turned rocky. Voltaire, new to opera, pressured Rameau to modernize his style. Hulton Fine Art Collection, via Getty Images Rameau had no qualms about giving Voltaire libretto-writing instructions. Hulton Archive, via Getty Images

   A Lost Masterpiece of Opera Returns, Kind Of

   www.nytimes.com/2024/07/08/arts/music/samson-pichon-guth-aix-festival-rameau-voltaire.html

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9. www.ft.com › content › 82051c9b-b22b-4518-aaf9-d13bGluck’s Iphigénie operas, Aix-en-Provence review — double ...

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   Jul 5, 2024 · There is a profound hubris in the notion that you can create a Rameau opera just by pasting together remnants, while dashing off a libretto that has Voltaire’s genius but works for today’s ...