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  1. 6 days ago · Director Merz, cinematographer Julian Holzwarth and gaffer Tim Krumbügel completely relied on ARRI camera and lighting equipment for the shoot, including the new SkyPanel X and one classic SkyPanel S360-C. Interviewed by ARRI, director Merz explains how he and his team lit three different settings with five X23 LED panels. He talks about the ...

  2. Jul 1, 2024 · This latest software update for the ALEXA 35 contains a new, often requested recording format (ProRes 3.8K 16:9) and improvements to the AEM-1 (output monitoring) as well as enhancements to WiFi performance and to frame-by-frame metadata. As always, this SUP includes numerous bug fixes and stability improvements. Updating.

  3. Jul 3, 2024 · It is weatherproof and exceptionally hard-wearing, and it brings ARRI dependability to the control of almost any lens on any camera, at an attractive price point. Key features. Cost-effective single-axis version of ARRI’s flagship Hi-5 hand unit; Third-party compatibility: “Any camera, any lens”

  4. Jun 29, 2024 · ALEXA LF has the largest sensor of any full-frame cinema camera on the market. Maintaining the ALEXA family’s optimal pixel size for best overall image quality results in a 4448 x 3096 picture, which can be recorded in full, up to 90 fps, using the LF Open Gate mode.

  5. Jul 4, 2024 · The oldest camera grip solution in the world: the humble tripod. From lightweight video legs and compact fluid heads, to heavy-duty metal legs and super-smooth geared heads, we've got the right solution for your camera and your operating preferences.

  6. Jul 2, 2024 · In this two-part series, we’ll first break down the look of an ARRI Signature lens, and then, in part two, we’ll rebuild it into a modern take on a vintage lens. As a cinematographer, I’ve used all kinds of lenses ranging from modern to vintage.

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  8. Jul 2, 2024 · This article (in two parts) is a diary of my journey into understanding the many ways lenses exhibit character, along with the traps that make vintage lenses both visually distinct and tricky to work with. In part one, I’m going to describe how ARRI went about making a beautiful, modern lens.