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1 day ago · As someone who has been on the internet for a long time, I thought nothing really phases me anymore, or so I thought - until I watched Larry Clark and Edward Lachman’s erotic drama Ken Park.
1 day ago · Edward Lachman’s ethereal cinematography bathes the Lisbon sisters in soft light, portraying them as otherworldly figures suspended between adolescence and adulthood. The haunting score by Air complements the film’s atmospheric tone, evoking a poignant blend of longing and unease that mirrors the Lisbon sisters’ internal struggles.
Jun 15, 2024 · David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for Great Expectations, The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and Ryan's Daughter .
Jun 3, 2024 · Ed Lachman is a film director and cinematographer best recognized for his work in the American independent film movement. Ed lachman’s Biography, Wiki and Quick Facts. Ed Lachman directed the photography for Todd Haynes’ films Far from Heaven in 2002 and Carol in 2015, both of which received Oscar nominations.
- 75 years
- Edward Lachman (known as Ed Lachman)
- March 31, 1948
- $5 million
3 days ago · Touch Review. For a down-to-Earth, grimy filmmaker like Paul Schrader, Touch is a bit of an odd detour. The subject matter – a preacher (played by Christopher Walken) and his friend (Bridget Fonda) attempt to exploit a stranger (Skeet Ulrich) capable of healing the less fortunate – is too wacky or insincere to feel like a perfect match with Schrader’s exacting and deliberate style.
Jun 22, 2024 · Shared with Edward Paul Voice in the Wind: Nominated David Rose: The Princess and the Pirate: Nominated Charles Previn Song of the Open Road: Nominated Morris Stoloff Cover Girl: Won Scoring of a Musical Picture. Shared with Carmen Dragon: Fred Rich: Jack London: Nominated Louis Forbes Ray Heindorf Up in Arms: Nominated Georgie Stoll Meet Me in ...
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Jun 10, 2024 · I've seen recent films shot in 35mm and never noticed grain in the finished movie, so I wasn't surprised to learn that Haynes and cinematographer Edward Lachman went with Super 16 stock. The trip is clearly an escape, and a particularly poignant and beautifully shot love scene seals the deal that this is not strictly friendly cross-country drive.
