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Philip Carey
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In Of Human Bondage (1915) Maugham borrowed Conrad’s symbol and phrasing when he wrote that “Philip’s rule of life” was to “follow one’s instincts with due regard to the policeman round the corner.” In The Explorer (1908), a mediocre but quite readable novel, Maugham openly imitated Conrad.
William Somerset Maugham. Born: Jan. 25, 1874, Paris, France. Died: Dec. 16, 1965, Nice (aged 91) Notable Works: “Cakes and Ale” “Liza of Lambeth” “Of Human Bondage” “The Moon and Sixpence” “The Razor’s Edge” (Show more)
The film had a different name in Brazil, but the book – Servidão Humana (Of Human Bondage) – was written by W. Somerset Maugham and is a semi-autobiographical novel that explores themes of personal growth, the search for meaning, and the complexities of relationships. The story follows the life of Philip Carey, a young man with clubfoot ...
Of Human Bondage. by W. Somerset Maugham. Selected by the Modern Library as one of the 100 best novels of all time. "It... read more. 4 Total Resources Book Resume View Text Complexity Discover Like Books. Grade. 7-12. + Show More Details. Our Original Resources 2. About the Author 1. Book Guides, Activities & Lessons 1.
According to some sources, the title, the meaning of which is not explicitly revealed in the book, was taken from a review in The Times Literary Supplement of Maugham's novel Of Human Bondage, in which the novel's protagonist, Philip Carey, is described as being "so busy yearning for the moon that he never saw the sixpence at his feet."
Plot. Don Bellows, a prominent architect, is engaged to the beautiful and wealthy Gail Armitage when he meets down-and-out Joyce Heath, who was once the most promising young actress on Broadway. Don feels deeply indebted to Joyce because her performance as Juliet inspired him to become an architect.
This film marked a turning point in Davis's career, showcasing her ability to portray complex, flawed characters that defied traditional Hollywood roles. With its raw emotion and powerful acting, Of Human Bondage remains a landmark film in both Davis's career and the history of cinema.
