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  1. 1 day ago · Stefan Zweig (1881-1942) was the Austrian-Jewish émigré author of Schachnovelle (usually translated as The Royal Game) and Sternstunden der Menschheit (Stellar Moments in Human History), which I had first read at the age of 17. It felt particularly poignant that a Zweig masterpiece was chosen as the inspiration, conveying connotations about the suppression of thought, an evil which chess so effectively confronts.

  2. Sep 2, 2024 · While he was actually alive and working, Stefan Zweig was one of the most famous writers in the world. Today, he is known by relatively few -- but those few are deeply admiring.

  3. Sep 17, 2024 · Stefan Zweigs was a dramatic, action-packed, intense epic of a life, but Oliver Matuschek’s biography, “Three Lives,” simply plods along. Three Lives: A Biography of Stefan Zweig by Oliver Matuschek. Translated by Alan Blunden. Pushkin Press, 384 pages, $32. By Helen Epstein

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  5. Sep 14, 2024 · Release Date. Sep 14, 2024. Copyright Status. Public domain in the USA. Downloads. 663 downloads in the last 30 days. Project Gutenberg eBooks are always free! Free kindle book and epub digitized and proofread by volunteers.

    • Zweig, Stefan, 1881-1942
    • Hella, Alzir
    • Tolstoï
  6. Sep 14, 2024 · Stefan Zweig ou les dernières années d'une vie. Début 1942, Stefan Zweig, ayant fui l’Europe et le nazisme, rendait visite à Georges Bernanos, à Barbacena, au Brésil. Quatre ans plus tôt, à Londres, sur l'insistance de Dali qui idolâtrait Freud, Zweig présentait son ami peintre à l'analyste…

  7. Sep 5, 2024 · Stefan Zweig — ‘Lightly, caressingly, Marie Antoinette picked up the crown as a gift. She was still too young to know that life never gives anything for ...

  8. 2 days ago · By this time, Anderson had begun researching the work of Austrian novelist Stefan Zweig, with whom he was vaguely familiar. He became fascinated with Zweig, gravitating to Beware of Pity (1939), The World of Yesterday (1942), and The Post Office Girl (1982) for their fatalist mythos and Zweig's portrait of early twentieth-century Vienna .

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