2021
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ROBERT WILSON: IT’S ABOUT TIME. WHEN ROBERT WILSON’S WORK first appeared internationally it was generally seen from a single and limited viewpoint—as a return to the image. Wilson was understood as a proponent of two-dimensional theater, of theater to be looked at only. This was because he came into the public eye at the beginning of the ...
Robert Wilson’s The Old Woman will be performed at Royce Hall in Los Angeles, Nov. 14 and 15, and at Zellerbach Hall in Berkeley, CA, Nov. 21–23. Amy Taubin is a contributing editor of Film Comment and Sight & Sound.
ROBERT WILSON’S. ORLANDO. Nineteen eighty-nine was a strange and densely packed year. At its end, History acted out a scenario bizarrely symmetrical to the one designed by Robert Wilson, in collaboration with Darryl Pinckney, for his interpretation of Virginia Woolf’s Orlando. The production had its world premiere in November at the small ...
Loosely based on H.G. Wells’ The Time Machine, Robert Wilson and Lou Reed’s romantic Time Rocker tells the story of the wayward Dr. Procopious, who takes off on a journey from the nineteenth to the twenty-first century and back again pursued by the young lovers Nick and Priscilla. Constructed of thirty pristine scenes with original music, it is a remarkable demonstration of the power of sound to imprint pictures in the mind, and for pictures to be truly heard.
In director Robert Wilson’s theater works, the visual mise-en-scène and the music and/or text have always operated on two parallel tracks; each has demanded equal, split attention from the viewer. The general idea seems to have been inspired by Merce Cunningham’s separation of music and dance, and, in plays like I Was Sitting On My Patio . . .
TWO CHAIRS AND A BED: ROBERT WILSON. LAYERS OF RETROSPECTION —the act or process of surveying the past—are implicit in Robert Wilson’s sculptures, which allude both to world history and to the histories of furniture and architecture. Furthermore, Wilson’s objects sometimes have their own histories as props designed for stage projects.
Created in Japan, the Knee Plays conflated several performance modes into this typically Wilsonian method: Wilson’s brand of minimalist spectacle; choreographer Suzushi Hanayagi’s background in Kabuki and the Judson Dance Theater; and composer David Byrne’s reworking of musical genres—here, of New Orleans marching band music—and fondness for non sequitur texts. The objects reflected these overlapping styles in their physical makeup.
Robert Wilson, “the CIVIL warS”. To judge from the disappointed tone of Dutch press reviews of the world premiere of the first episode of “the CIVIL warS,” Robert Wilson can still shock even the most faithful of his fans. What the critics disliked most was what they termed the use of clichés: notable figures from Dutch history, such as ...
Robert Wilson’s The Black Rider, 1990, is a delirious journey through a vivid theatrical landscape dotted with the signposts of vaudeville, cabaret, circus, and opera. A rousing and even bombastic overture—of horns and electric piano, drums and found pipes—sets the stage for an evening of splendid artifice.
Mar 30, 2023 · Wilson was known for works in which she employed quilts as canvases, painting abstract forms upon their surfaces and thus bringing a form typically associated with craft into the realm of fine art. She was the last surviving member of her fabled cohort, who included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, and Lenore Tawney.
