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Sep 22, 2024 · This is Robert Elswit — the master who won an Oscar for There Will Be Blood — taking Caravaggio’s chiaroscuro technique and deploying it for old-school noir style. An exquisite use of hard ...
Sep 5, 2024 · Cinematographer Robert Elswit uses tight framing and smoke-filled scenes to create a sense of claustrophobia. This visual strategy reflects the oppressive political climate of the era. The film intercuts studio scenes with historical footage, blurring the line between drama and documentary .
Sep 20, 2024 · A frame capture from Punch-Drunk Love, shot by Robert Elswit, ASC, showing significant barrel distortion from Panavision’s C Series glass. (Columbia Pictures)
Sep 12, 2024 · Robert Elswit’s high-contrast, monochrome cinematography of course plays in an integral role here, rivalling his work on Paul Thomas Anderson’s films with superb chiaroscuro lighting and a strong depth of field that basks in Italy’s historic architecture.
Sep 8, 2024 · Robert Elswit accepts the Emmy for outstanding cinematography for a limited or anthology series or movie for “Ripley” during night two of the Television Academy's 76th Creative Arts Emmy Awards at the Peacock Theater on Saturday, Sept. 8, 2024 in Los Angeles.
- ASC Staff
Sep 21, 2024 · This is Robert Elswit—the master who won an Oscar for Caravaggio’s chiaroscuro technique and deploying it for oldschool noir style. An exquisite use of hard, natural light, light that cuts, that separates, that isolates.
Sep 14, 2024 · Robert Elswit accepts the Emmy for Outstanding Cinematography For A Limited Or Anthology Series Or Movie at the 2024 Creative Arts Emmy Awards.
