Marcello Rubini
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La dolce vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life' [2]) is a 1960 satirical comedy-drama film directed by Federico Fellini. It was written by Fellini, Ennio Flaiano , Tullio Pinelli , and Brunello Rondi .
Jan 5, 1997 · Marcello goes down into subterranean nightclubs, hospital parking lots, the hooker’s hovel and an ancient crypt. And he ascends St. Peter’s dome, climbs to a choir loft, and to the high-rise apartment of Steiner (Alain Cuny), the intellectual who is his hero. He will even fly over Rome.
Aug 23, 2024 · La Dolce Vita, Italian film, released in 1960, that was widely hailed as one of the most important ever made and the first of several acclaimed collaborations between director Federico Fellini and actor Marcello Mastroianni, who came to represent the director’s alter ego.
The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom.
La Dolce Vita: Directed by Federico Fellini. With Marcello Mastroianni, Anita Ekberg, Anouk Aimée, Yvonne Furneaux. A series of stories following a week in the life of a philandering tabloid journalist living in Rome.
An epic, breathtakingly stylish cinematic landmark, La Dolce Vita remains riveting in spite of -- or perhaps because of -- its sprawling length. Read Critics Reviews
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Overview. Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Marcello is a gossip columnist, and is searching for a way to become a serious writer. He’s fully involved in Rome’s ‘dolce vita’. He’s flirting with an aristocrat who’s always looking for new emotions. He has a partner, Emma, and feels oppressed by her jealousy; she attempts to commit suicide.
In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations.
There is in “La Dolce Vita” a great deal to be puzzled about, and a great deal to be impressed by, and perhaps a great deal which we as Americans will never completely understand. Yet it is a fine motion picture.
