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Sep 9, 2024 · Original Kuniyoshi (1797 - 1861) Japanese Woodblock PrintThe Battle of Kawanakajima. Comments - Terrific scene from the Battle of Kawanakajima between the forces of Takeda Shingen at left and Uesugi Kenshin at right. One of Shingen's trusted "Twenty-four Generals," Yamamato Kansuke distinguished himself during the fight, leading to a victory ...
Original Kuniyoshi (1797 - 1861) Japanese Woodblock Print Yoshitsune's Archery; The Great Battle of Yashima, 1851 - 1852 Comments - Fantastic and rare complete, six-panel or double triptych depicting two famous events during the Battle of Yashima, a fierce combat at sea and on land between the Minamoto and Taira clans.
4 days ago · He grips a sword in his other hand, his long hair pulled back into a ponytail with loose hair framing his face. The inset above shows a locust perched on a leaf, a reference to the chapter title Utsusemi, which means locust shells. A great design, nicely composed and detailed. Artist - Kuniyoshi (1797 - 1861) Image Size - 13 3/4" x 9" + margins ...
Sep 20, 2024 · Kuniyoshi Utagawa Kuniyoshi (1797-1861) was an ukiyo-e painter, a pupil of Toyokuni I, also referred to as Ichiyusai, Choro etc. One of three popular ukiyo-e painters from Utagawa school in the end of Bakufu.
- Kuniyoshi
- A1-97-031-29
- Hole,Trimmed,Foxing,Rubbing,Folding line
5 days ago · Utagawa Kuniyoshi (1797-1861) was an ukiyo-e painter, a pupil of Toyokuni I, also referred to as Ichiyusai, Choro etc. One of three popular ukiyo-e painters from Utagawa school in the end of Bakufu. One of three popular ukiyo-e painters from Utagawa school in the end of Bakufu.
- Kuniyoshi
- A1-99-188
- 1843～1844
- The Battle of the Nagaragawa
2 days ago · Kuniyoshi Utagawa Kuniyoshi (1797-1861) was an ukiyo-e painter, a pupil of Toyokuni I, also referred to as Ichiyusai, Choro etc. One of three popular ukiyo-e painters from Utagawa school in the end of Bakufu.
Sep 15, 2024 · (3) items including (2) c.1848 from the series “Heroes of the Great Pacification”, signed “Ichiyusai Kuniyoshi ga”, paulownia leaf and flower seal printed in red under signature, subjects named in large characters upper right and biography in upper portion of each print, matted under glass in gold-tone painted frames as well as a “View of Onmaya Embankment” signed and seal upper right, unframed
