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  1. Sep 25, 2024 · In her long and varied career, Murfin went from cowriting Broadway hits with Jane Cowl (Lilac Time, Smilin’ Through) to penning scripts for Hollywood’s first canine star, her dog Strongheart, to collaborating with Anita Loos on the screenplay for Cukor’s The Women (1939).

  2. Sep 18, 2024 · Smilin' Through is a 1932 MGM Romance-Drama film based on the play by Jane Cowl and Jane Murfin, also named Smilin' Through. The film was nominated for the Academy Award for Best Picture for 1932. It was adapted from Cowl and Murfin's play by James Bernard Fagan, Donald Ogden Stewart, Ernest Vajda and Claudine West.

  3. en.wikipedia.org › wiki › Mervyn_LeRoyMervyn LeRoy - Wikipedia

    Sep 26, 2024 · The screenplay was co-written by crime fiction writer James M. Cain, and Jane Murfin, who wrote the adaptation of Booth Tarkington's novel the Katharine Hepburn vehicle Alice Adams (1935). [126] At the Circus (1938) directed by Edward Buzzell: A Marx Brothers comedy. [127]

  4. Sep 10, 2024 · While writers like renowned humorist Anita Loos (RED-HEADED WOMAN) and two-time Academy Award winner Frances Marion (DINNER AT EIGHT) have been justly celebrated, others like the prolific Jane Murfin (WHAT PRICE HOLLYWOOD?), best-selling novelist turned screenwriter Viña Delmar (MAKE WAY FOR TOMORROW), and pioneering writer-director Wanda Tucho

  5. Sep 19, 2024 · The film was adapted for the screen by Anita Loos and Jane Murfin. The all-female cast all but two of the biggest female stars under contract to MGM: previous Cukor star Greta Garbo, (1936's "Camille"), and Russell's costar in her 1934 film debut, Myrna Loy.

  6. Sep 15, 2024 · We're heading to high society- with a wonderfully witty satire from playwright Clare Boothe Luce, adapters Anita Loos and Jane Murfin, and director George Cukor. Starring Norma Shearer, Joan Crawford, and Rosalind Russell it's THE WOMEN.

  7. Sep 20, 2024 · Whether Young is to blame or Jane Murfin and Ogden Nash‘s screenplay – both arguments could be made, and David is a character who’s hard to stomach anyway yet not unrecognizable from other films of the 40’s. You know the type – forceful dude who won’t take “no” for an answer.