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  1. en.wikipedia.org › wiki › Mary_ShelleyMary Shelley - Wikipedia

    1 day ago · Mary Wollstonecraft Shelley (UK: / ˈwʊlstənkrɑːft /; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. [ 2 ]

  2. Sep 3, 2024 · Frankenstein Created Woman. 1967. ★★★★. Rewatched Sep 03, 2024. HalloweenHenry’s review published on Letterboxd: 111 Days Of Halloween. Few things scream it's Halloween season, more than Hammer Horror. This was the first Hammer film, I remember watching.

    • Terence Fisher
  3. Sep 9, 2024 · Frankenstein, the iconic monster created by author Mary Shelley, has become one of the most enduring and beloved characters in the history of cinema. Since the release of the original film in 1931, countless adaptations, spin-offs, and reinterpretations have captivated audiences around the world.

  4. Sep 19, 2024 · Frankenstein is the title character in Mary Wollstonecraft Shelley’s novel Frankenstein, the prototypical ‘mad scientist’ who creates a monster by which he is eventually killed. The name Frankenstein has become attached to the creature itself, who has become one of the best-known monsters in the history of film.

    • The Editors of Encyclopaedia Britannica
  5. Sep 15, 2024 · Frankenstein Created Woman is a 1967 British Hammer Horror film directed by Terence Fisher. It stars Peter Cushing as Baron Frankenstein and Susan Denberg as his new creation. It is the fourth film in Hammer's Frankenstein series.

  6. Sep 19, 2024 · Theodore Roszak’s The Memoirs of Elizabeth Frankenstein (1995), Kris Waldherr’s Unnatural Creatures: A Novel of the Frankenstein Women (2022), and Kiersten White’s The Dark Descent of Elizabeth Frankenstein (2018) all put a spotlight on the female characters surrounding Frankenstein and his creation.

  7. 5 days ago · Unlike most novels written by women, Frankenstein contains no strong, female heroines. Male scholars find feminist readings of Frankenstein to be particularly suspect for this reason. But literary scholar Kate Ellis claims that’s the point.