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  1. Sep 23, 2024 · It also sets up the film’s darkly funny closing image, which retroactively raises the quality of much of what precedes. A good deal of Harvest tends to the sluggish, recreating the basic incidents of Crace’s story without adeptly communicating Thirsk’s peculiarities of perspective. As compelling a presence as Jones can be, Thirsk remains ...

  2. Sep 4, 2024 · All in all, Harvest is a film that is more fascinating than it is intelligible, in which the second half is significantly more engaging than the first. The initial set-up and the first part proceed at a rather slow pacing, but the arrival of Charles Kent’s ruthless cousin and his goons makes it more dynamic, finally piquing some curiosity ...

  3. Sep 10, 2024 · Athina Tsangari's Harvest explores how capitalism and social dynamics can spoil the pastoral idyll of a remote Medieval village.

  4. Sep 17, 2024 · Collider's Perri Nemiroff sat down with writer-director Athina Rachel Tsangari and co-stars Harry Melling and Caleb Landry Jones for the "science fiction of the past" film, Harvest, at TIFF 2024.

  5. Sep 6, 2024 · film profile] premiered on the Lido, Greek director Athina Rachel Tsangari is back in Venice’s Main Competition with her English-language period film Harvest [+ see also: film review trailer

    • Savina Petkova
  6. 18 hours ago · At the Toronto Film Festival, where I saw the film, the critical conversation on the ground about Harvest concerned whether its rueful account of paradise lost was somehow too obvious—and it’s true that the storytelling offers less in terms of surprise and more in the way of shock, which comes in bursts of brutal, impulsive violence. But tracing the arc of history is a grim business, and Tsangari balances her responsibilities as a sociological cartographer against the inherently playful ...

  7. 4 days ago · Given how keen most filmmakers seem to be to turn medieval lands into settings for horrifying folk tales involving demonic billy goats and/or cult-operated forests, Athena Rachel Tsangari’s Harvest looks, on paper, to be a welcome and necessary respite from familiarity. Described as a “tragicomic take on a Western,” the Greek auteur’s third feature, which premiered at this year’s Venice International Film Festival and has since screened at Toronto and New York, respectively, is a ...