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  1. Arnold Schoenberg or Schönberg was an Austrian-born composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School.

  2. Apr 6, 2021 · 1874 – 1889. Arnold (hebr. Avraham) Schönberg, born on September 13, 1874. There is little that stands out in the biographies of my parents. My father was born in 1838. When he was fourteen he came to Vienna, where he became an apprentice in a business, and then had his own small business. He married when he was thirty-two.

  3. Arnold Schönberg, po emigraci do USA v roce 1941 Schoenberg ( 13. září 1874 Vídeň – 13. července 1951 Los Angeles ), byl rakouský modernistický hudební skladatel, hudební teoretik a příležitostný malíř . Většinu svých hudebních skladeb vytvořil mimo tradiční tonální systém – v tzv. atonalitě. Vymyslel také ...

  4. Jul 16, 2023 · Figure 1. Arnold Schönberg in Payerbach, 1903. Arnold Schoenberg was born into a lower middle-class Jewish family in the Leopoldstadt district (in earlier times a Jewish ghetto) of Vienna, at “Obere Donaustraße 5.”. His father Samuel, a native of Bratislava, was a shopkeeper, and his mother Pauline was native of Prague.

  5. Arnold Schönberg (28+46=74=11) Arnold Schoenberg (28+51=79=7) Pierrot Lunaire (Mondestrunken) op. 21 - pomembnost števil 3, 7, 11 in 21. Pierrot Lunaire je francosko ime v sicer nemškem naslovu. Prva črka v imenu Pierrot ima vrednost 7. Skupna številska vrednost besede je 11. Besedi Pierrot in Lunaire imata vsaka po 7 črk. Skupna ...

  6. May 17, 2018 · Arnold Schoenberg. Arnold Schoenberg (1874-1951) was an Austrian composer whose discovery of the "method of composition with twelve tones" radically transformed 20th-century music. The early music of Arnold Schoenberg represents the culmination of romantic musical ideals.

  7. 然而,调性中心的缺乏或传统的不协和-协和关系构建的紧迫感可以追溯到他的 第1室内交响曲 ( 英语 : Chamber Symphony No. 1 (Schoenberg) ) (作品9号,1906年),这部作品以全音音阶、四度和声的调性发展以及它引发的动态、不寻常的合奏关系、戏剧性的中断和不可 ...