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Sep 2, 2022 · Joe Dante: Well, it’s a longstanding experience.It started in 1968 or something like that. You’ll be interested to know that the American Genre Film Archive is in the process of restoring The ...
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Jun 8, 1984 · Gremlins: Directed by Joe Dante. With Hoyt Axton, John Louie, Keye Luke, Don Steele. A young man inadvertently breaks three important rules concerning his new pet and unleashes a horde of malevolently mischievous monsters on a small town.
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Sep 27, 2023 · From Kung fu movies to film noir check out JOE DANTE SELECTS on ARROW. Joe Dante’s The ‘Burbs and Matinee are both available on Blu-ray at Arrow Films, the latter also on Arrow Player. Arrow selects Joe dante. We talk with the great Joe Dante to discuss changes in the film industry, aspects of his career and a selection of his favourite ...
Jul 26, 2012 · Continuing Dante’s recent run of offbeat work-for-hire projects, he shot the 2003 “4-D” short Haunted Lighthouse for a Sea World attraction, working from an R.L. Stine story. And in 2009 ...
Jun 9, 2023 · A conversation with Joe Dante. The thing that gave us the idea to do “The Movie Orgy” was the reissue of the 1943 “ Batman ” serial. To promote the new TV show, it was re-released to art theaters, so that all 15 chapters could be watched one after another. And after about five hours of this, your brain started to rot.
Joseph James Dante Jr. (born November 28, 1946) is an American filmmaker, producer, editor and actor. His films—notably Gremlins (1984) alongside its sequel, Gremlins 2: The New Batch (1990)—often mix the 1950s-style B movie genre with 1960s radicalism and cartoon comedy. Dante's output includes the films Piranha (1978), The Howling (1981), Explorers (1985), Innerspace (1987), The 'Burbs (1989), Matinee (1993), Small Soldiers (1998), and Looney Tunes: Back in Action (2003). His work for ...
Apr 19, 2024 · Joe Dante, a director who has shown massive promise in his craft, implementing a distinct vision in all of his works, has not been able to direct anything for nearly eight years. His story is sadly that of many filmmakers in the current era of studio filmmaking: One of promise or glimmer of glory, and then setback after setback.
