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  1. Aug 13, 2019 · Here is your guide to a film-maker’s body of work, and his fixation with spectacle, shayari, and shringar. Sanjay Leela Bhansali is two people housed in one soul. Rumoured to be neurotic, temperamental, and a perfectionist, there are stories abound of him throwing phones, screaming instructions, and pronouncing improbable deadlines.

  2. Sanjay Leela Bhansali made his directorial debut with the musical drama film Khamoshi: The Musical (1996), starring Nana Patekar, Manisha Koirala, Salman Khan, Seema Biswas and Helen in the lead. The movie followed the story of a daughter’s struggle in communicating with her deaf and mute parents.

  3. May 14, 2024 · Director Sanjay Leela Bhansali took fans on a tour of the elaborate set of his debut streaming series, Heeramandi: The Diamond Bazaar, which debuted on Netflix on May 1.. In a new featurette shared by IMDb, Bhansali and his cast, which includes Manisha Koirala, Sharmin Segal, Sanjeeda Sheikh, Sonakshi Sinha, Richa Chadha, Aditi Rao Hydari, Fardeen Khan, Shekhar Suman and Adhyayan Suman, spoke about the experience of working on such a grand scale, and the power of costumes, cinematography and ...

  4. May 2, 2024 · The renowned Indian director Sanjay Leela Bhansali, who created and directed the widely anticipated Hindi-language series which premiered on Netflix on May 1, says he wanted to reimagine the world ...

    • 3 min
    • Astha Rajvanshi
  5. May 1, 2024 · Sanjay Leela Bhansali, a rare remaining master of the grand old style of Indian filmmaking, directing “Heeramandi” for Netflix. Image Actors waiting between scenes on the set of the eight ...

  6. Sanjay Leela Bhansali and the cast on the sets of Heeramandi Bhansali on Manisha. While on one hand, Bhansali had Sharmin, on the other, he reunited with his first leading lady, Manisha Koirala. ...

  7. Mar 2, 2022 · Sanjay Leela Bhansali responded, and then trailed off in a 2002 interview with Simi Garewal. We also discover through his later interviews that he meditates on the body as a storehouse of trauma (elsewhere, he mentions, “… the discomfort is set into the body.”).

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