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One of the greatest Chakravartis mentioned in Jain scriptures is Bharata in whose memory India came to be known as "Bharata-varsha". After conquering the whole world, King Bharata, brimming with pride, sought to inscribe his great feat on the slopes of Mount Meru. To his great dismay, he found the names of many other kings carved on Meru.
Trilokasāra (Essence of the three worlds), Trilokaprajñapti (Treatise on the three worlds), Trilokadipikā (Illumination of the three worlds) and Kṣetrasamāsa (Summary of Jain geography) are the other texts that provide the details of Jambūdvīpa and Jain cosmology. Madhyaloka consists of many continent-islands surrounded by oceans, first eight whose names are:
Centered on the glorification of the enlightened Bharata, the son of the first Jain Tirthankar Adinatha, Ratnakaravarni cleverly focusses on those aspects that the original by Pampa ignored. Ratnakaravarni goes into minute details about prince Bharata, who according to the author serves as the ideal balance between detachment ( yoga ) and attachment ( bhoga ).
Feb 22, 2022 · bharatvarsha world kingdom , bharata eldest son of emperor rishaba and elder brother of bahubali , abhignana shakuntala a fake sanskrit play written by rothschild’s agents , vardhamana mahavira the 24th thirthankara , fake nine gems of non-existant king vikramaditya of 600 ad , rishabha founder of jainism and the first jain thirthankara , kalidasa propagandist german poet johann wolfgang von goethe -…
Rishabhanatha, the first of the 24 Tirthankaras (“Ford-Makers,” i.e., saviours) of Jainism, a religion of India. His name comes from the series of 14 auspicious dreams that his mother had, in which a bull (rishabha) appeared, before his birth. He is also known as Adinatha (“Lord of the Beginning”)
Brāhmī and Sundarī are a pair of Jain satīs best known as the daughters of the first Jina, Ṛṣhabanātha or Lord Ṛṣabha. They are numbered among the 16 satīs or soḷ satī and are in every Jain satī list even though their story is brief. As virtuous women who are role models for Jain women, satīs are characterised by their religious devotion and, often, marital fidelity and patient acceptance of suffering. The story of Brāhmī and Sundarī was first given in the Ādipurāṇa ...
