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  1. I do the film a disservice here by classifying it into this category of gentrification movies that I've created; Bait is borderline Biblical in the way it dissects a fractured family dynamic and the betrayal of the self. On top of its conceptual brilliance, the movie really stands out with its black-and-white 16mm cinematography — a choice that somehow secures the movie within its small-scope setting and yet elevates it to an abstracted level.

  2. www.flickeringmyth.com › movie-review-bait-2019Movie Review - Bait (2019)

    Jun 9, 2020 · Bait is undoubtedly the most singularly unique film to debut in 2019. The bold decision to use an old-fashioned 16mm clockwork camera to achieve the distinctive aesthetic seen in the film was an ...

  3. Bait - A film by Mark Jenkin Early Day Films www.baitfilm.co.uk In hand-developed 16mm images in shimmering black and white, Bait tells a narratively... | film trailer, première

  4. roxie.com › film › bait-2019Bait (2019) - Roxie

    In anticipation of the release of his sure-to-be-cult classic folk horror opus Enys Men, we’re bringing celebrated Cornish auteur Mark Jenkin’s film Bait to the Big Roxie on March 22. One night only!

  5. Drama 2019 1 hr 29 min BFI Player Available on Prime Video, BFI Player, iTunes Winner of 2020 BAFTA Award for Outstanding Debut by a British Writer, Director or Producer.

  6. Presented in High Definition and Standard Definition Feature-length audio commentary with director Mark Jenkin and film critic Mark Kermode Bait Q&A with Mark Jenkin (2019, 33 mins): filmmaker Mark Jenkin in conversation with Mark Kermode, recorded at BFI Southbank Dear Marianne (2015, 6 mins): a Cornishman’s travels in Ireland, through Wexford, Waterford and Cork in search of the familiar in this short film by Mark Jenkin The Essential Cornishman (2015, 6 mins): Mark Jenkin’s film is an ...

  7. Bait is a 2019 British drama film written and directed by Mark Jenkin, starring Edward Rowe, Giles King, and Chloe Endean. The film stands out for its distinctive style and approach to storytelling, as it is shot on a vintage 16mm camera using black-and-white Kodak film, hand-developed by Jenkin, which gives it a grainy, almost timeless aesthetic.