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"Barsaat" (1949) is a captivating tale of love and betrayal set against the picturesque backdrop of Kashmir. The film intertwines two contrasting love stories: one of Pran (Raj Kapoor) and Reshma (Nargis), and the other of Gopal (Prem Nath) and Neela (Nimmi). Pran and Gopal are friends with diametrically opposed personalities.
Aug 22, 2017 · Movie: Barsaat (1949)Music Director: Shankar JaikishanLyrics: ShailendraSinger: Lata Mangeshkar Enjoy this super hit song from the 1949 movie starring Raj Ka...
- 4 min
- 64.5K
- Gaane Naye Purane
Barsaat (1949) Barsaat (1949) Barsaat (1949) Barsaat (1949) Barsaat (1949) See all photos. Movie Info. Pran and Gopal, who are city dwellers, fall in love with village girls while on a holiday ...
- Drama, Romance, Musical
Other articles where Barsaat is discussed: Lata Mangeshkar: …such films as Mahal (1949), Barsaat (1949), Satyam shivam sundaram (1978), and Maine pyar kiya (1989). Notable among her concert performances was her wartime rendition of the poet Pradeep’s patriotic song “Ae mere watan ke logo,” which moved Indian Prime Minister Jawaharlal Nehru to tears.
Barsaat ( lit. 'Rain') is a 2005 Indian Hindi -language romantic drama film directed by Suneel Darshan. It stars Bobby Deol, Priyanka Chopra, and Bipasha Basu. The plot of the movie is loosely based on the 2002 movie Sweet Home Alabama. Deol also previously acted in a 1995 film of the same name, which was his debut film.
Barsaat. Barsaat Is A Bollywood Award Winning Romantic Hindi Action Movie, Directed By Rajkumar Santoshi, Starring Bobby Deol And Twinkle Khanna In The Lead Roles. A Village Boy, Badal, Is Attracted Towards His Classmate Tina, Who Belongs To A Rich Family. However, Her Father Disapproves Of Their Relationship And Gets Him Arrested Under False ...
Dec 28, 2014 · Barsaat, put simply, is a drag. Raj Kapoor's character Pran is a self-absorbed, self-important young man. He speaks in what must to him seem poetic proclamations; but they resound as smugly-delivered adolescent expressions of the Byronic ideal. This would be fine if the audience were meant to reject them as such, but these ideas of Pran's are ...
