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Jacques Becker (1906 – 1960), too often known only for his role as an assistant director to Jean Renoir, is in fact a consummate, under-known auteur particularly attuned to group dynamics, whether of lovers, artists, gangsters, or convicts.
Apr 29, 2024 · In Les Aventures d’Arsène Lupin/The Adventures of Arsène Lupin (Jacques Becker, Citation 1957), there is a sequence that was much commented on by critics of the time (for example, Laurent Citation 1957; Truffaut Citation 1957; Vivet Citation 1957). It shows the gentleman-burglar Arsène Lupin (Robert Lamoureux), alias respectable and wealthy man about town André Laroche, returning home after robbing the Président du Conseil (Henri Rollan) of a Leonardo sketch and a Botticelli painting.
For anyone whose exposure to Jacques Becker is limited to the director's classic masterpieces - Casque d'or (1952), Touchez pas au grisbi (1954) and Le Trou (1960) - Goupi mains rouges will come as something of a surprise. It is a film which practically defies classification, and yet it skilfully blends together elements of romantic melodrama, farce and murder mystery into an impossibly satisfying whole.
Jacques Becker. Jacques Becker ( 1906 – 1960) oli ranskalainen elokuvaohjaaja ja käsikirjoittaja. Hän tutustui nuorena klassikko-ohjaaja Jean Renoiriin ja työskenteli 1930-luvulla tämän assistenttina. Beckerin omissa ohjauksissa on selviä vaikutteita Renoirilta.
Immediately prior to this, Jacques Becker had made a far more sombre work, Antoine et Antoinette (1947), which depicted a young couple struggling with the privations of post-war austerity. The contrast between this film and Rendez-vous de juillet could not be greater, and shows the dramatic change in mood in France as rationing started to be phased out and American-style consumerism began to take off.
Ensuite, Jacques Becker dépeint la France de l’après-guerre avec plusieurs films chaleureux comme Antoine et Antoinette (1947) qui reçoit un prix à Cannes et surtout Rendez-vous de juillet (1949) qui révèle toute une nouvelle génération de talents dont Daniel Gélin, Nicole Courcel ou Maurice Ronet. Le long-métrage reçoit le Prix Louis-Delluc.
2,108,663 admissions (France) [1] Paris Frills ( French: Falbalas) is a 1945 French drama film directed by Jacques Becker and starring Raymond Rouleau, Micheline Presle and Jean Chevrier. It was made in 1944 during the German occupation but not released until the following year. The film's sets were designed by the art director Max Douy.
