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Aug 2, 2022 · Several old tweets of the writer have gone viral on social media with a few netizens claiming that Dhillon has repeatedly attacked Hindu beliefs and religious sentiments. This has led to Twitterati demanding a boycott of the film and using tags such as #BoycottRakshaBandhan. Directed by Aanand L Rai and co-written by Himanshu Sharma, Raksha ...
Aug 3, 2019 · Kanika Dhillon Breaks Down The Motifs Of Judgementall Hai Kya The writer discusses the film's treatment of mental health, the toughest scene to crack and why the movie begins with a note of thanks to Sriram Raghavan
Dec 15, 2020 · — Kanika Dhillon (@KanikaDhillon) December 14, 2020 Dhillon took to Instagram and posted pictures from the ceremony, where she was dressed in a yellow salwar kameez and Sharma wore a blue kurta ...
Kanika Dhillon As Kanika talks about her books and screenplays, we are curious to know how this alumnus of London School of Economics and St. Stephen’s turned writer, and associated with films ...
Sep 16, 2022 · In an exclusive conversation with Firstpost, Dunki writer Kanika Dhillon opens up about writing strong and real women portrayals, her hit pair with Taapsee Pannu and more. Advertisement Versatile author and writer Kanika Dhillon has carved her own niche with her impeccable writing in projects like Size Zero , Manmarziyaan , Rashmi Rocket , Haseen Dilruba , Guilty , Judgementall Hai Kya and many others.
Sep 30, 2021 · Kanika Dhillon has been taking the entertainment industry by storm with her gripping storylines, potent characters and impactful dialogues. Kanika Dhillon: The trailblazer changing the landscape for Bollywood writers! Not only that within just 2 years the writer has almost given us five memorable films. In addition three movies on the horizon!
Kanika Dhillon, a prominent figure in the Indian entertainment industry, has made significant contributions as a producer, author, and screenwriter. Her writing journey commenced with the best-selling novel “Bombay Duck is a Fish” (2011), launched by Shah Rukh Khan.
