Search results
Sep 20, 2017 · Cinematographer Sean Price Williams has been revered by critics and indie film fans for the better part of the last decade. While drawing particular influence from master filmmakers like Robert ...
12/01/2023. Over the last two decades, Sean Price Williams has distinguished himself as one of New York’s favorite independent cinematographers. His expressionistic eye magnified the grimey qualities of Ronald Bronstein’s Frownland (2007) to a scuzzy sublime and his subsequent work with the Safdie Brothers — The Black Balloon (2012), Heaven Knows What (2014), Good Time (2017) — reinforced his talent for finding beauty amid the chaos of New York daily life.
Tribeca 2016: “Burden” & “Contemporary Color”. Sean Price Williams movie reviews & film summaries | Roger Ebert.
Val. Sean Price Williams was born on August 1, 1977 in Wilmington, Delaware, USA. He is a cinematographer, who has worked on numerous major independent films by directors such as Josh and Benny Safdie, Ronald … more. More details at TMDb.
The Sweet East, dir. Sean Price Williams, USA 2023, 104 min. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. Along the way, she falls in with a variety of strange factions ...
(Note that, contra the Indiewire review from Cannes, the film has a screenwriter—Nick Pinkerton, a film critic, programmer, and author making his feature debut—while the director is the well-known cinematographer Sean Price Williams). And so, no more than five minutes after introducing their disaffected heroine—and gifting her a solo, semi-diegetic musical number sung softlyover the opening credits— Pinkerton and Williams plunge Ryder’s feline-eyed cipher into a cartoony QAnon ...
Sean Price Williams is an American cinematographer, film director, and actor. He is known for his textured, fluid camerawork (often handheld) and a heightened attention to available light. The New Yorker film critic Richard Brody described Williams as “the cinematographer for many of the best and most significant independent films of the past decade, fiction and documentary.”
