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Isabelle Yasmine Adjani (born 27 June 1955) is a French actress and singer of Algerian and German descent. She is the only performer to win five César Awards for acting—all in the Best Actress category—for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994), and Skirt Day (2009).
Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981) , One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988) , Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day").
Isabelle Adjani is a French film actress and singer. She is one of the most acclaimed French actresses of all time and is the only actress or actor in history to win five César Awards.
Chaîne officielle YouTube d'Isabelle Adjani.
Mar 3, 2024 · From horror movies like Possession to Oscar-winning period dramas such as The Story of Adele H., these are the best Isabelle Adjani movies.
Oct 10, 2022 · Having mesmerized audiences worldwide for over five decades, award-winning Algerian-French actress Isabelle Adjani unveils the secrets to her artistry.
Sep 11, 2023 · This all happens in Jean Becker’s One Deadly Summer, a French film noir that premiered 40 years ago and became a classic. Its sexy, sultry and tragic atmosphere, coupled with the performance of...
Isabelle Yasmine Adjani (born 27 June 1955) is a French film actress and singer. Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress with five, for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), Queen Margot (1994) and Skirt Day (2009).
Isabelle Adjani. Highest Rated: 100% The Slap (1974) Lowest Rated: 0% Ishkq in Paris (2013) Birthday: Jun 27, 1955. Birthplace: Paris, France. Isabelle Yasmina Adjani was born on June 27, 1955...
Featuring what is arguably the bravest female performance ever put on film - namely, Isabelle Adjani's Cannes-winning turn of shamanistic intensity - the film dares its viewer to enter a trance-like state, in which genres blur and mate to yield a new level of cinematic expression.
