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  1. en.wikipedia.org › wiki › UpadesamrtaUpadesamrta - Wikipedia

    Upadesamrta. The Upadesamrta, [1] or Nectar of Instruction, [2] is an important Gaudiya Vaishnava spiritual text, composed by Rupa Goswami. The Upadesamrta was translated into English in its entirety [3] by A. C. Bhaktivedanta Swami Prabhupada, founder acarya of the International Society for Krishna Consciousness.

  2. www.purebhakti.com › teachers › bhakti-yoga-mastersSrila Rupa Gosvami

    In this verse Srila Rupa Gosvami has clarified Sri Caitanya Mahaprabhu's inner meaning and thus he revealed to the world the importance of parakiya-rasa, the mood of paramour love between Lord Krsna and the gopis. Srila Rupa Gosvami is that very person who established within this world the innermost heart’s desire of Sri Caitanya Mahaprabhu.

  3. Oct 30, 2021 · The special significance of Srila Rupa Goswami was that not only was he a direct disciple of Lord Chaitanya, and the leader of the six Goswamis of Vrndavana, but the leader of all the acaryas and followers of Srila Prabhupada – present and future. In (Krsna Book ch.86) Srila Prabhupada writes, “The actions of the Krsna consciousness ...

  4. Feb 15, 2010 · Posted by kartik on February 15, 2010 at 9:17pm. .Rupa Gosvami, Sanatana Gosvami. Gaudiya Vaisnava Abhidhana p. 1350-1351: Rupa Gosvami was one of the six Gosvamis associated with Sri Gauranga-lila. According to Gaura-ganoddesa-dipika 180 he was Sri Rupa manjari in Krsna lila. He occupied a responsible post in the service of the Badshah Hussain ...

  5. WEDOS Global Protection - kybernetická ochrana. CHRÁNÍME VÁS i tento web proti online hrozbám

  6. Rupa Gosvami’s nephew, Jiva Goswami has explained in his Laghu Tosani that Rupa’s ancestors were of the Bharadvaja gotra and were learned in the Yajur Veda. A brahmana called Sarvajna was seventh in the ascending genealogical line of Rupa Goswami and was known by the title ‘jagad-guru’ (Universal teacher) being both a learned scholar and king.

  7. Rupa Goswami combines the concept of aesthetic experience (rasa), developed by Bharata Muni, the systematizer of the scenic and poetic arts of India, with the concept of loving mystical or bhakti. Different traditions of aesthetic and religious theories paved the way for Rupa Gosvami to develop a salvific dimension establishing the emotional devotion as an aesthetic experience ( bhaktirasa ) (Srila Rupa Gosvami).