Search results
Despite sharing the same writers Gene Markey and Kathryn Scola and the same director Alfred E. Green, A Lost Lady had none of the salty punch of Stanwyck's pre-Code gold digger yarn Baby Face (1933). In reviewing A Lost Lady the New York Sun enjoyed the performance despite lamenting the film, "Barbara Stanwyck, as usual, almost saves the day by giving one of her earnestly honest performances."
Kathryn Scola is known as an Screenplay, Writer, Story, Adaptation, and Continuity. Some of their work includes Baby Face, Female, Alexander's Ragtime Band, The Constant Nymph, Midnight Mary, Fashions of 1934, The House Across the Bay, and The Glass Key.
Combustible Celluloid Review - Baby Face (1933), written by Gene Markey, Kathryn Scola, based on a story by Darryl F. Zanuck, directed by Alfred E. Green, and with Barbara Stanwyck, George Brent, Donald Cook, Alphonse Ethier, Henry Kolker, Margaret Lindsay, Arthur Hohl, John Wayne, Robert Barrat, Douglas Dumbrille, Theresa Harris
This is, perhaps, noteworthy for a portray of a 'fallen woman' that's more nuanced than what was typical for Hollywood at this time, possible because women were involved in its creation (story by Anita Loos, screenplay cowritten by Kathryn Scola).
Kathryn Scola is on Facebook. Join Facebook to connect with Kathryn Scola and others you may know. Facebook gives people the power to share and makes the world more open and connected.
The film's scenario was adapted from an Anita Loos story by the team of Gene Markey and Kathryn Scola, a duo who provided plenty of pertinent pre-code proto-feminist sagas during the era, such as Baby Face (1933) and Female (1933). Wellman had a marked fondness for the device of flashing back to the youth of his pivotal characters; in this ...
Kathryn Scola was an American screenwriter, with a career spanning the 1930s and 1940s. She was born in Paterson, New Jersey on November 6, 1891. Her...
