Yahoo India Web Search

Search results

  1. Feb 6, 2021 · Ritwik Ghatak’s films still remain as one of the most powerful artistic articulations of the trauma of displacement after the Partition.He never accepted the Partition and it became an obsessive ...

  2. Nov 1, 2023 · Of all India’s many comparatively unsung directors, Ritwik Ghatak (1926-76) was possibly the most obviously talented. Yet he made only a handful of films, the first of which, Nagarik (The Citizen), was completed in 1952 but unreleased until after his death from chronic alcoholism and tuberculosis at the age of 51.

  3. Mar 13, 2013 · Along with prominent contemporary Bengali filmmakers Satyajit Ray and Mrinal Sen, Ritwik Ghatak's cinema is primarily remembered for its meticulous depiction...

    • 38 min
    • 35.7K
    • Doordarshan National
  4. Dec 13, 2016 · Ritwik Ghatak: An Ignored Cinematic Genius. Sunayan Bhattacharjee. December 13, 2016. Indian cinema overseas is more often than not equated with the great Satyajit Ray and his enviable array of works. While some might find it only befitting, it upsets the very concept of natural justice. Anyone remotely associated with the realm of cinema would ...

  5. Ritwik Ghatak indulged in some technical experiments in this film. For instance, the speed of a particular sound was increased on the transferring table, or the use of special lens (300) brought forth fascinating results when the wheel of a car appeared to rotate even while the car was static.

  6. Nov 4, 2018 · Revolutionary filmmaker Ritwik Ghatak mirrored the pain of Bengal’s partition and refugee crisis through his famed trilogy, which began with Megha Dhaka Tara. New Delhi: Numerous filmmakers have moulded Indian cinema over the years, with some attaining international glory, while others suffered abomination from political circles for daring to tell stories that mirrored the injustices by society and governments.

  7. Aug 14, 2018 · Ritwik Ghatak remained obssessed with Bengal Partition all his life. At a time when others were experimenting with neo-realism style of filmmaking, Ghatak had fallen back on the much-abused genre of melodrama. He sought to use this genre —so popular during the 1950s and 60s— as a political tool to convey his message.

  1. Searches related to Ritwik Ghatak

    Ritwik Ghatak films
    mrinal sen
  1. People also search for