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Vetrimaaran is arguably among the most interesting filmmaker working in the Tamil film industry. Here’s documenting his rise and what it takes to be a talent like him. His production house’s...
Vetrimaaran (born 4 September 1975) is an Indian film director, film producer and screenwriter who primarily works in Tamil cinema. He is known for his unique filmography with major commercial success and high critical acclaim works.
- Polladhavan (2007) Vetrimaaran’s debut feature film opens up with a gruesome and brutal fighting sequence and then using the device of flashback, the filmmaker takes us into the dynamic world of contemporary Chennai, where an educated young man, Prabhu (Dhanush) fight injustice and in the process is forced to unleash the animal within him.The protagonist of the film is an uneducated youth who due to turn of events confronts his father (Murali) and an argument regarding the responsibilities of parents towards their offspring ensues.
- Visaranai (2016) Based on the Tamil novel Lock Up by M. Chandrakumar, Vetrimaaran’s third outing in its first half has such brutal scenes of police torture that one could genuinely feel the bestial act of police torture.
- Aadukalam’ – Cockfight competition. ‘Aadukalam’ is a remarkable Tamil film as it bagged National Award under several categories. Dhanush played the role of a Madurai based cockfighter.
- Vada Chennai. Anbu turning against Senthil. Vetrimaaran and Dhanush joined after a gap of several years for the gangster drama ‘Vada Chennai’. The film carries the story of Dhanush from his childhood to a gangster.
Apr 15, 2024 · Why is Vidhuthalai Part 1 Vetrimaaran’s best movie to watch? Intending to direct a two-part saga next, Vetrimaaran directed Vidhuthalai Part 1. Set in the 1980s and inspired by real-life politics of the era, Viduthalai explores the conflict between the police and a separatist group.
- Viduthalai Part 1 (2023) In one sense, Viduthalai is the culminating artistic collaboration between Vetrimaaran and cinematographer Velraj, who has lensed all of Vetrimaaran’s films except Visaranai.
- Asuran (2019) Both Vada Chennai and Asuran are, perhaps, the most cinematic of Vetrimaaran’s films — with a slow-motion pay-off that belongs to the masala template, lodged comfortably alongside the various Vetrimaaran-isms.
- Vada Chennai (2018) With Vada Chennai, Vetrimaaran returns to the titular North Chennai where he shot his debut film. This time, however, there is more blood, more history, and more politics, and a richer, denser world full of human foibles and fumbles.
- Visaranai (2015) Visaranai felt like an aesthetic sharp-turn for Vetrimaaran, showing us that as a director, he is capable of patient storytelling, linear storylines; neat, spare flashbacks, that unfold at the pace of life, without sizzling it up or slurring it down.
Aug 26, 2024 · Vetrimaaran films are made for a multicultural audience and backed by the strength of their storytelling and sculpted dialogue, which has reinvigorated the art of popular cinema with a breath of fresh air. Each film is imbued with a powerful, coherent aesthetic that guides viewers through a dark matrix.
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Sep 4, 2022 · Though only his third film, Visaaranai (National Award-winning film and official Indian entry to the 89th Academy Awards for Best Foreign Language Film) turned out to be his first adaptation, one can see that his tryst with written words has been an integral part of his journey.
