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- Starting with the old-school Universal logo at the film’s opening, Flanagan was excited to “recreate” the experience he had as a kid getting into the horror genre.
- The opening seance scene is the reason he wanted to make the movie. He liked the idea of a family trying to help ease people’s concerns about loved ones but doing so with fraudulent means.
- The young woman with the blond hair is played by Kate Siegel, who recently collaborated with Flanagan on the terrific little thriller Hush.
- They shot the entire movie on antique lenses, and while they shot the film anamorphic they cropped the sides to make it fit the 16:9 aspect ratio. “You’ll notice a lot of the artifacts in anamorphic filmmaking in the way it handles light.
Apr 27, 2020 · The first Ouija movie had a lot of problems, to put it mildly, but 2016 sequel Ouija: Origin of Evil managed to improve on it in every respect.
Ouija is a 2014 American supernatural horror film directed by Stiles White in his directorial debut, produced by Jason Blum, Michael Bay, Andrew Form, Bradley Fuller, and Bennett Schneir and written by Juliet Snowden and White, who previously together wrote The Possession. [4]
Ouija, the 2014 horror film about a duo of girls who get in over their heads with a couple of vicious members of the undead, was a flimsy, poorly directed, predictable mess of a movie.
Ouija: Origin of Evil is a 2016 American supernatural horror film directed and edited by Mike Flanagan, and written by Flanagan and Jeff Howard. The film is a prequel to the 2014 film Ouija, and stars Elizabeth Reaser, Lulu Wilson, Annalise Basso, and Henry Thomas.
Apr 26, 2021 · To understand the ending of "Ouija: Origin of Evil," you have to consider where its story begins. It's 1967 in Los Angeles, and Alice Zander (Elizabeth Reaser) is struggling to cope with the...
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Oct 17, 2016 · The movie, set in the 1960s, follows a single mother (Elizabeth Reaser) who works as a medium but finds out that the supernatural forces she fakes may be real when her young daughter Doris (Lulu...
