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    • Two opposing tensions in art

      • The Apollonian and Dionysian are terms used by Friedrich Nietzsche in his work the Birth of Tragedy (1872) to denote two opposing tensions in art. The Apollonian, after the Greek god Apollo, represents a calm, reasoned, and structured form of art while the Dionysian, after Dionysus, is a deeply emotional and ecstatic one.
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  2. Jan 13, 2022 · The Apollonian and Dionysian are terms used by Friedrich Nietzsche in his work the Birth of Tragedy (1872) to denote two opposing tensions in art. The Apollonian, after the Greek god Apollo, represents a calm, reasoned, and structured form of art while the Dionysian, after Dionysus, is a deeply emotional and ecstatic one.

    • Schopenhauer

      Portrait Photograph of Arthur Schopenhauer by Johann...

  3. The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology. Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche , though the terms had already been in use prior to this, [ 1 ] such as in the writings ...

  4. The Apollonian represents the rational, conscious mind, while the Dionysian represents the irrational, unconscious mind. Together, they form a dialectical relationship that is essential for creativity and self-expression.

    • The Apollonian and Dionysian
    • How Can These Drives Ever Be combined?
    • Is The Apollonian Bad?
    • Does This Have Use elsewhere?

    In his first book The Birth of Tragedy, Nietzsche examines art, particularly ancient Greek plays. While he didn’t write the last word on the subject, he did use the book to introduce a concept that continued to appear in his writings long after he dismissed his early work as “badly written, ponderous, embarrassing, image-mad and image-confused.” Th...

    Getting these two drives to work together is difficult, but not impossible. Nietzsche saw their fusion as ideal, as it allowed the tremendous frenzied energy of the Dionysian to be applied constructively inside an Apollonian framework. He thought the ancient Greeks, perhaps uniquely, were able to blend the two drives in their culture. In Greek trag...

    It’s not bad at all, but Nietzsche knew that we need both. The loss of the Dionysian in drama and society is, therefore, a loss to our own ability to be complete people- let alone the effect it has on plays. How can I use this? Even if you’re not a playwright or a classical scholar trying to make sense of Greek Civilization, these concepts can stil...

    Ruth Benedict has used the dichotomy to describe different cultures in her anthropological work. Camille Paglia wrote a controversial book suggesting men and women embody the archetypes and that there is a biological cause of this. Freud, whose ideas covered similar ground as Nietzsche’s, described the Id in Dionysian terms. While Nietzsche later d...

  5. Jan 8, 2024 · Apollonian and Dionysian concepts intersect in art, offering contrasting yet complementary approaches. Apollonian traits manifest in structured, balanced compositions, while the Dionysian reflects in emotionally charged, unrestrained expressions.

    • johannes.helmold@academichelp.net
    • Editor
  6. It is by those two art sponsoring deities, Apollo and Dionysus, that we are made to recognize the tremendous split, as regards both origins and objectives, between the plastic, Apollinian arts and the nonvisual art of music inspired by Dionysus.

  7. Jan 1, 2020 · In terms of human psychology, the Apollonian aspect of our psyches is that which emphasizes order and self-control. That side is balanced by the Dionysian need to experience the emotional depths. Apollo, the god whose motto is “Know thyself,” is the ego overcoming the chaotic elements of the unconscious so that an ordered, sane life can be ...