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The pochette is a small stringed instrument of the bowed variety. It is essentially a very small violin -like wood instrument designed to fit in a pocket, hence its common name, the "pochette" (French for small pocket).
It was the pochette, the almost-pocket-sized version of a violin that was designed for its portability. The pochette is about 60% neck, with a disproportionately smaller body and the scroll on the end.
- What Is A Pochette Or “Kit” Fiddle?
- How Did The Pochette Or "Kit Fiddle" Get Its names?
- Who Played Pochettes?
- How Does A Baroque Period Pochette sound?
- Had They only Know About The Physics of Violins!
- The Ergonomics of Historic Pochettes
- Conclusion
- Shameless Promotion
Pochettes are 18thCentury instruments whose popularity was primarily from the early 1700s through the 1780s; however, there are surviving examples dating back to the 1600s. The pochette (French for “pocket”) was a small violin-like instrument designed for easy portability. They are also known as “pocket fiddles” and “kit fiddles”. Pochettes were al...
Pochettes were small enough in girth to fit into a longish sheath sewn into one's coat. The sheath came to be known by the instrument's name: "pochette". This is the origin of the modern English word "pocket". Pochettes were also known as "kits" or "kit fiddles", primarily in England and, to a lesser extent, in Scotland. The name "kit" is an exampl...
Pochettes seem to have been popular among fiddlers who traveled frequently by foot or horseback. Arguably, the two most famous players of pochettes were: 1. Niel (aka Neil) Gow(1727–1807), one of the founding fathers of Scottish fiddling 2. Thomas Jefferson(1743-1826), a principle author of the Declaration of Independence and the 3rdPresident of th...
The short answer is nasty! So, here is the longer answer. Most Baroque and Pre-Modern period pochettes and replicas sound horrible beyond comprehension (and we have heard many!). A toy kazoo, toy piano, comb and waxed paper, or slide whistle would have sounded better. Pochettes, particularly the earlier ones, often had substantially shorter playabl...
The poor sound of historic pochettes and their replicas is curious to us. More than a decade ago, we were able to design and make a very sonorous and nice-sounding pochette by essentially copying the external dimensions of a late 18th Century Scottish pochette (in the Burrell Collection in Glasgow). The only substantial changes we made were to fit ...
With the 17th and 18th Century pochettes, ergonomic concerns were apparently not considered at all. Ergonomics (the British term) and Human Factors (the preferred American term), or the study of the relationship between people and things, are 20th Century fields of expertise. The only concern in the 1700s and 1800s was making the pochette small eno...
This concludes my brief introduction to that diminutive Baroque period relative of the violin, the pochette, a.k.a. kit fiddle. My next article will delve into the modern descendent of the pochette, commonly called a “travel violin” or “travel fiddle”. I will post a link here when the follow-on article about modern travels violins is posted. Modern...
In the past 13 or so years, D. Rickert Musical Instruments has designed and made a large number of Baroque pochette replicas (about 40). We have designed and produced an even far greater number of state-of-the-art modern travel violins (more than 125). Current product offerings can be viewed under the “Travel and Backpacker Fiddles” category of the...
It is essentially a very small violin-like wood instrument designed to fit in a pocket, hence its common name, the "pochette" (French for small pocket). Quick FactsOther names, Classification ... Pochette. Decorated pochette. Other names.
Jul 28, 2023 · It was the pochette, the almost-pocket-sized version of a violin that was designed for its portability. The pochette is about 60% neck, with a disproportionately smaller body and the scroll...
- Eric Benning
A pochette is about two-thirds the size of a standard adult violin with a proportionately larger fingerboard. Generally speaking, pochettes were about 16.5 inches long, with the fingerboard between 8 and 10 inches in length. In their heyday, pochettes were generously decorated if played at court.
A pochette is distinguishable from the rest of the violin family due to the fact that the neck is a prolongation of the body, instead of simply being attached to it. The Fellowship of Makers and Restorers of Historical Instruments has expressed that a pochette's strings ought not to be longer than 10inches. Playing
