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Clash between theory and practice
- It is a clash between theory and practice – manifesting itself as a clash between a film which seeks to challenge, and its audience’s expectations.
philosophynow.org/issues/89/Film_Socialisme
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Film Socialisme (alternative French title Socialisme; English: Socialism but often referred to as Film Socialism) is a 2010 French postmodern drama film directed by Jean-Luc Godard.
- Modern Times (1936) The brilliance of a satire that attempts to criticize a system is in how less it talks about it, but how much it is still able to convey.
- The Grapes of Wrath (1940) For a film released in the 1940s, it really is quite shocking how real the events that transpire here feel. It tells the hard-hitting tale of a family driven out of their own land as they succumb to poverty and homelessness.
- Che (2008) Though its title may give off the vibe of a biopic of the Cuban revolutionary, ‘Che’, a two-part epic, works more like a war film than it does an autobiographical picture.
- Man of Marble (1977) The title ‘Man of Marble’ describes the relatively respectable status of a singular person from amongst his peers, and that’s partly what this film examines.
Jun 1, 2011 · The McGuffin of Jean-Luc Godard’s new film, “ Film Socialisme ” (which opens this Friday), is the vast store of gold that the Spanish Republicans shipped to the Soviet Union in 1936,...
Feb 26, 2020 · But the golden age of socialist art tended toward the tro lo lo guy, not toward grit. Interrogation aside, because I haven’t seen it, both independent filmmakers and mainstream Hollywood studios have made many excellent movies about life under socialism.
Film Socialisme (2010) is an abstract and difficult film to engage with and understand. It has all the hallmarks of a director known for challenging his audience. The film sporadically flings at the viewer questions of politics, individuality, rights, language, and above all, the nature of cinematic reality itself.
Film Socialisme is a movie in three movements, their relationship, particularly in terms of tempo and the statement and recapitulation of themes, corresponding more or less to classical sonata form: a fast-paced first movement, a slow second, and a third that is faster and shorter than the first.
The best of the best contemporary left-wing movies with communist, socialist or anarchist message. From the openly revolutionary socialist, to elements of subtle anti-capitalism.
