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Art of expression in Indian aesthetics
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- Abhinaya (Sanskrit abhi- 'towards' + nii- 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni 's Natya Shastra, is used as an integral part of all Indian classical dance styles.
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Abhinaya (Sanskrit abhi-'towards' + nii-'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience ( bhava ) of a sentiment ( rasa ).
Apr 23, 2016 · Abhinaya is the representational aspect of dance where a text or poem is interpreted by the dancer to evoke “rasa” in the spectators. It deals with the sentiment and emotions of the song, using the technique of the dance style.
Abhinaya is an Indian art form, which is a medium of "carrying" the dramatic text to the spectator in a meaningful way. It covers all histrionic activity. It includes the physical, verbal, mental, and decorative as well.
Abhinaya, a fundamental aspect of Indian aesthetics, embodies the art of expressive communication. Its essence lies in guiding the audience towards experiencing the profound sentiments, known as "rasa." Originating from Bharata Muni's Natya Shastra, this concept forms an indispensable element of various Indian classical dance forms.
Abhinaya Darpan & Natyashastra are the two oldest Performing Art texts or treatises on dance, music, and theatre of Indian History. The Natyashastra explains all the aspects of theater and dance whereas the Abhinaya Darpana concentrates on Abhinaya (acting) and expressions (Ras and Bhava)
Natyshastra says that Abhinaya is the art of “exhibiting the meaning of what one depicts”. The dancer has an enormous resource bank to communicate a story, an idea, an emotion. She uses her body, her limbs, hands, face, eyes to express her ideas. The dancer has to draw the audience into her world.
Jun 18, 2024 · Summary: The English translation of the Abhinaya-darpana (“the mirror of gesture”) by Nandikeshvara: an encyclopedic manual of the art of gesticulation. It belongs to a wide range of literature known as Natya-shastra: the ancient Indian art of dramatic performance, theatrics, dance and music.
