1972
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Michelangelo Antonioni’s films are characterised by a sense of alienation, a lack of closure and a sense of personal loss. In his first three films, “Le notti del conte” (1955), “I vitelloni” (1961) and “Il deserto rosso” (1964), there is an exploration of the unconscious and its relation to the world around us.
Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre.
- January 1, 1
- Ferrara, Emilia-Romagna, Italy
- January 1, 1
- Rome, Lazio, Italy
7 titles. Sort by List order. 1. The Passenger. 1975 2h 6m PG. 7.5 (27K) Rate. 90 Metascore. Unable to find the war he's been asked to cover, a frustrated war correspondent takes the risky path of co-opting the identity of a dead arms-deal acquaintance. Director Michelangelo Antonioni Stars Jack Nicholson Maria Schneider Jenny Runacre. 2.
He is best known for his "trilogy on modernity and its discontents" [1] — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962)—and the English-language film Blowup (1966).
- 'La Notte' (1961) IMDb: 8.0/10. "I feel like dying because I no longer love you." La Notte ("The Night") is a melancholy portrait of a disintegrating marriage.
- 'L'Avventura' (1960) IMDB: 7.7/10. L'Avventura ("The Adventure") revolves around a group of wealthy friends who take a yacht trip to a desolate island.
- 'L'Eclisse' (1962) IMDb: 7.7/10. "I wish I didn't love you or that I loved you much more." L'Eclisse ("The Eclipse") chronicles the tumultuous love affair between Vittoria (Monica Vitti), a translator, and Piero (Alain Delon), a stockbroker, against the backdrop of a Rome in flux.
- 'Il Grido' (1957) IMDb: 7.6/10. In contrast to most of Antonioni's movies, which focus on the upper classes, Il Grido (meaning "The Cry") centers on Aldo (Steve Cochran), a worker in a small industrial town in northern Italy.
Twenty-three years after L'Avventura (1960), Michelangelo Antonioni returns to Lisca Bianca Island. The rarefied atmosphere of Lea's disappearance is recalled by some audio excerpts from the original movie.
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5 days ago · Michelangelo Antonioni, Italian film director, cinematographer, and producer noted for his avoidance of realistic narrative in favor of character study and a vaguely metaphorical series of incidents. His major films included Le amiche (1955), L’avventura (1960), L’eclisse (1962), and Blow-Up (1966).
