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May 15, 2023 · Since the book does not purport to present a unified vision of opera’s history in the 17th century, a compilation of terminology (and some editorial oversight of usage in the individual chapters) would have provided more unity to the material.
Discover the dawn of opera, which was born in Italy—or what we now think of as Italy—at the turn of the 17th century. Expect some insight into opera’s many influences as well as a summary of the early genre’s notable features.
In the middle decades of the 17th century the major opera-producing center was Venice, the first place where music was detached from religious or aristocratic protection to be performed in public places: in 1637 the Teatro San Cassiano was founded (demolished in 1812), the first opera center in the world, located in a palace that belonged to ...
The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence.
Dec 19, 2012 · Perhaps the best way to begin an investigation into the first century of opera is with a broad chronological survey, such as Grout 1965. Becker and Quandt 1981 surveys opera in the 17th century through the original documents, and Leopold 2004 offers a comprehensive overview of opera in the century. Most other research in the field has been ...
Opera developed in western Europe in the early 17th century as a means of bringing together all the arts, including painting, poetry, drama, dance and music. Our collections document its evolution from early Baroque extravaganzas through to contemporary productions.
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Although music and drama were the essential features of opera, visual effects often dominated the court productions of the seventeenth and eighteenth centuries, and the designers of sets and theatrical machinery sometimes received greater acclaim than the composers who wrote the music.
