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- The Hunting of the Snark shares its fictional setting with Lewis Carroll's earlier poem " Jabberwocky " published in his 1871 children's novel Through the Looking-Glass. [ 5 ]
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The Hunting of the Snark, subtitled An Agony, in Eight fits, is a poem by the English writer Lewis Carroll. It is typically categorised as a nonsense poem . Written between 1874 and 1876, it borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem " Jabberwocky " in his children's novel Through the Looking ...
- Lewis Carroll
- 1876
Dive deep into Lewis Carroll's The Hunting of the Snark with extended analysis, commentary, and discussion
In the midst of the word he was trying to say, In the midst of his laughter and glee, He had softly and suddenly vanished away—. For the Snark was a Boojum, you see. Source: Poets of the English Language (1950) Poems, readings, poetry news and the entire 110-year archive of POETRY magazine.
- The Relationship of The Poem to The Author's Other Work
- The Writing of The Poem
- Attempts at Interpretation
- The Bellman's Association with Death and Time
- Illustrations
- Victorian Cultural References
The Hunting of the Snark can be read as an extended version of "Jabberwocky," a poem in Lewis Carroll's novel Through the Looking-Glass (1871). After Alice crawls into a world reflected in a mirror, she finds a book that can be read only by holding it up to a mirror. In it she reads a short nonsense poem about a boy's hunt for a mysterious creature...
Carroll began writing The Hunting of the Snarkduring an extended visit to his godson and nephew, Charles Wilcox. Carroll helped care for Wilcox as he suffered a slow and painful death from tuberculosis. As Carroll walked on the nearby hills one day during his stay, the phrase "For the Snark was a Boojum, you see" came to his mind. He later decided ...
The nonsense genre resists allegorical interpretation, and Carroll himself insisted the poem was not allegorical. Nevertheless, scholars have found any number of symbolic meanings for the Snark and for the poem as a whole. Some read the hunt as a quest for material wealth or social advancement. Others read it as a condemnation of vivisection or abs...
In ancient British rituals, continuing in Carroll's day to some extent, a bellman had significant roles. He would ring a bell as someone lay dying to give voice to the prayers said for the person's soul. He would ring it after a death to frighten off any evil spirits set on waylaying the soul of the recently departed. In this way the bellman became...
The Hunting of the Snarkwas illustrated by Henry Holiday, an artist based in London. Aside from his illustration of the poem, Holiday is best known for his stained-glass windows in the Church of the Holy Trinity in Manhattan. Carroll sought out Holiday as a possible illustrator for another book, hoping the artist could "do grotesques," the style Ca...
To amuse his readers, Carroll often referred in unexpected contexts to things and concepts that were extremely familiar to his Victorian audience. Four examples of this technique in The Hunting of the Snarkrelate to the scientific exploration, extreme propriety, proud patriotism, and harsh justice of Victorian England. By referring to such serious ...
The Hunting of the Snark, nonsense poem by Lewis Carroll, first published in 1876. The fanciful eight-canto poem describes the sea voyage of a bellman, boots (bootblack), bonnet maker, barrister, broker, billiard marker, banker, beaver, baker, and butcher and their search for the elusive undefined.
- The Editors of Encyclopaedia Britannica
"The Hunting of the Snark" is a whimsical and nonsensical poem written by Lewis Carroll, the beloved author of "Alice's Adventures in Wonderland." First published in 1876, this humorous and imaginative work has captivated readers of all ages with its clever wordplay and absurd characters.
A snark hunt is an allegory on temptation and sin, and the word snark is likely a portmanteau word combining the words snake and shark; a transposition of snake, the symbol for sin in the Garden of Eden, with that of shark, a symbol for danger at sea, as the sea is the setting in which this particular tale takes place.
