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- “The Cremator,” adapted from a novel by Ladislav Fuks, is a disquieting mix of satire and horror, filled with inexplicable characters seen in fragmentary close-ups or through distorted lenses.
www.nytimes.com/2019/08/07/movies/the-cremator-metrograph.html
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Aug 7, 2019 · “The Cremator,” adapted from a novel by Ladislav Fuks, is a disquieting mix of satire and horror, filled with inexplicable characters seen in fragmentary close-ups or through distorted lenses.
Apr 22, 2020 · Certainly, this ultimate exercise in ferocious black-comic satire—the tale of a crematorium manager in thirties Prague who descends into Nazi collaboration, murder, and madness—was the fullest realization of Herz’s macabre, grotesque, and ironic sensibilities.
The Cremator (Czech: Spalovač mrtvol) is a 1969 Czechoslovak dark comedy horror film directed by Juraj Herz, based on a novel by Ladislav Fuks. The screenplay was written by Herz and Fuks. The film was selected as the Czechoslovakian entry for the Best Foreign Language Film at the 42nd Academy Awards, but was not accepted as a nominee.
Aug 8, 2019 · The Cremator is essential viewing if you’re a lover of morbid black comedy; a connoisseur of the kind of cinema that lies on the delicate border between horror and social satire; or a student of political and moral corruption, especially with reference to World War II and the Holocaust (Herz himself survived Ravensbrück concentration camp as ...
Jul 2, 2020 · Watching it today, we can have it both ways: a Dr. Strangelove-esque satire on the meticulousness of murder, and a deep-dive exploration into the banalities of Evil. There’s something deliciously Nabokovian within the fabric of Juraj Herz’s 1969 black comedy masterpiece The Cremator .
As our news cycles currently feature disproportionate amounts of unintended satire and truly disturbing acts, The Cremator is the perfect pre-apocalyptic viewing for our times.
Blending the blackest of gallows humor with disorienting expressionistic flourishes—queasy point-of-view shots, distorting lenses, jarring quick cuts—the controversial, long-banned masterpiece The Cremator is one of cinema’s most trenchant and disturbing portraits of the banality of evil.
