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- The Blue Notebooks received widespread critical acclaim from contemporary music critics. [citation needed] In his positive review, Mark Pytlik of Pitchfork explains, "The Blue Notebooks is a case study in direct, minor-key melody.
en.wikipedia.org/wiki/The_Blue_Notebooks
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Jul 1, 2004 · Conceptually, Max Richter's The Blue Notebooks -- German-born composer mixes contemporary classical compositions with electronic elements in a dreamscapy journalogue featuring excerpts from...
- Mark Pytlik
The Blue Notebooks is the second album by neo-classical producer and composer Max Richter. The album was conceived in 2003 and released on 26 February 2004 on 130701, an imprint of FatCat Records. It is a protest album about the 2003 invasion of Iraq and violence in general.
Jun 5, 2018 · Take "On The Nature Of Daylight," which features a melodic echo from Memoryhouse, Richter's debut album. Richter repeats the trick elsewhere on The Blue Notebooks: "Arboretum" and "The Trees" share sonic DNA, providing a feeling of déjà vu.
- Holly Dicker
- On The Nature of Daylight
- ‘Shadow Journal’
- Iconography
- Vladimir’s Blues
- Features Narration by Tilda Swinton
The brief, melancholic title waltz opens The Blue Notebooks, with a performance from Swinton, and Kafka’s scene-setting line: “Everyone carries a room about inside them.” The longer, Purcell and Beethoven-influenced, cello-led “On The Nature Of Daylight” then follows. It is an immensely popular lament, which has done more than any other Richter pie...
The stirring piano miniature “Horizon Variations” leads into the album’s most expansive piece, “Shadow Journal,” a Brian Eno-influenced ambient dub track which Pitchfork described as “literally perfect.” Its bass weight rests upon the sounds of a treated viola and, as with other tracks on the album, it presaged the trend for field recordings with i...
The magnificent, organ-accompanied choral piece “Iconography” transcends its sampled base, Richter’s levels of attention to detail already in place, and the atmosphere luxurious. It reveals Max Richter’s debt to German baroque master Johann Sebastian Bach, and later joined “Shadow Journal” on the Waltz With Bashir soundtrack. A remix from Glasgow’s...
The zig-zagging, Chopin-influenced, Nabokov-referencing piano piece “Vladimir’s Blues,” as often with Richter’s work, leaves the listener keen for more, the writer’s butterflies having flitted out of the room almost before they landed. It was later featured extensively in HBO’s supernatural drama series The Leftovers. Max Richter re-recorded “Vladi...
Swinton’s typewriter returns on “Arboretum” and “Old Song,” as she reads from Kafka again. On the former, she prefaces the strings, which lay over a notably electronic-sounding rhythm, reminiscent of some of the Warp Records acts. “Old Song,” as with some of Richter’s later material for Songs From Before, leaves a piano composition by another compo...
Jul 24, 2013 · The Blue Notebooks is a stunning album, and one that should be heard not just by classical and electronica fans, but anyone who values thoughtful, subtly expressive music. Full Review 11y
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Max Richter. The Blue Notebooks. 4.5. superb. Review. by robertsona STAFF. August 12th, 2010 | 31 replies. Release Date: 2004 | Tracklist. “Everyone carries a room about inside them. This fact can be proved by means of the sense of hearing.
Feb 26, 2024 · If William Basinski’s Disintegration Loops marked the beginning of an era, musically and geopolitically, Richter’s The Blue Notebooks prophesized its uncertain future.
