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  2. Vertigo is a 1958 American psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D'entre les morts (From Among the Dead) by Boileau-Narcejac, with a screenplay by Alec Coppel and Samuel A. Taylor.

  3. Aug 22, 2021 · The Vertigo plot begins with a harrowing action sequence. We follow detective John “Scottie” Ferguson (played by James Stewart) in the midst of a rooftop chase. He slips and a fellow officer reaches down to help him, but Scottie is paralyzed with acrophobia and the other officer falls to his death.

  4. May 5, 2016 · Vertigo’s a fascinating story told in a beautiful way at times (just look at Kim Novak against the romantic green glow above) and a staggeringly psychologically true way at other times.

  5. Sep 2, 2020 · Vertigo’s storyline was based on a french novel. The storyline was based on a 1954 french novel “the living and the dead” which was a psychological mystery novel set in Paris. Alfred Hitchcock decided to film in San Francisco instead of Paris because he thought it would be a more interesting setting.

    • Is Vertigo based on a true story?1
    • Is Vertigo based on a true story?2
    • Is Vertigo based on a true story?3
    • Is Vertigo based on a true story?4
    • Is Vertigo based on a true story?5
  6. Jul 31, 2023 · The meta-narrative in Vertigo is a clear representation of Alfred Hitchcock’s mastery over the art of suspense and audience manipulation. Throughout the film, Hitchcock cleverly hides Judy’s true identity from the audience, making them complicit in Scottie’s delusions—then rips the rug from under our feet right at the very end.

  7. 3 days ago · Vertigo, American psychological thriller film, released in 1958, that is considered one of director Alfred Hitchcock’s most complex movies. Although it received a lukewarm reception upon its release, Vertigo is now commonly ranked among the greatest movies ever made.

  8. Mar 4, 2024 · Hitchcock turned Vertigo into an acidic commentary on the sexual politics of the 1950s, which dictated that a woman should do whatever it took to land and hold on to a man, for the woman blindly follows that course and, in doing so, gradually self-destructs before our eyes.