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1998 neo-noir
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- Lock, Stock and Two Smoking Barrels is a 1998 neo-noir black comedy crime film written and directed by Guy Ritchie.
en.wikipedia.org/wiki/Lock,_Stock_and_Two_Smoking_Barrels
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Lock, Stock and Two Smoking Barrels is a 1998 neo-noir black comedy crime film written and directed by Guy Ritchie. It follows a heist involving a confident young card sharp who loses £500,000 to a powerful crime lord in a rigged game of three-card brag , prompting him to pay off his debts by enlisting his friends to help him rob a small-time ...
Lock, Stock and Two Smoking Barrels: Directed by Guy Ritchie. With Jason Flemyng, Dexter Fletcher, Nick Moran, Jason Statham. Eddy persuades his three pals to pool money for a vital poker game against a powerful local mobster, Hatchet Harry.
- (621K)
- Action, Comedy, Crime
- Guy Ritchie
- 1998-08-28
Lock, Stock and Two Smoking Barrels is a 1998 neo-noir black comedy crime film written and directed by Guy Ritchie. It follows a heist involving a confident young card sharp who loses £500,000 to a powerful crime lord in a rigged game of three-card brag, prompting him to pay off his debts by enlisting his friends to help him rob a small-time ...
- Guy Ritchie
Synopsis: When streetwise charmer Eddy (Nick Moran), the son of steely bar owner JD (Sting), botches a gambling scheme with his dad’s nemesis, porn king Hatchet Harry (P.H. Moriarty), he’s got one week to come ...You can watch Lock, Stock and Two Smoking Barrels through Rent,buy on the platforms: Google Play Movies,Amazon Video,Apple TV ...
- (62.7K)
- United Kingdom
- Tim Maurice-Jones
- Guy Ritchie
May 5, 2024 · The authenticity of Lock, Stock and Two Smoking Barrels has made it a classic among crime movie buffs, as each scene is layered with in-jokes that may only be recognizable upon subsequent...
- Liam Gaughan
- Guy Ritchie
Jan 11, 2023 · Despite all of its guns, knives, wheeler-dealers, and threats of finger mutilation, Lock, Stock and Two Smoking Barrels is almost an anti-gangster movie.
Jul 11, 2016 · ‘Lock, Stock and Two Smoking Barrels’ was the novelty that introduced us to a style of cinema deriving distinction from the notion of how an ordinary tale can be turned into a powerful tool of entertainment by complicating the narrative to a point that induces absolute astonishment.