Yahoo India Web Search

Search results

  1. Inder Raj Anand (died 6 March 1987) was an Indian film dialogue and screenwriter in Hindi cinema, who worked on many Raj Kapoor films, starting with Aag (1948), Aah (1953), Anari (1959) and Sangam (1963). [1] While formally referred to as a writer for Hindi films, he was actually an Urdu writer, [2] writing his scripts and dialogues in Urdu.

  2. Shahenshah director Tinnu Anand had once revealed how his father and writer of the film Inder Raj Anand wrote the climax script day before he died. Amitabh Bachchan and Shahenshah are synonymous ...

    • Ruchi Kaushal
  3. Jun 3, 2018 · My father [Inder Raj Anand], Santosh Saroj and I worked on the screenplay. My father wrote the dialogue entirely. He was a great writer of Urdu, which is a very poetic and flamboyant language with ...

  4. Inder Raj Anand. Writer: Sangam. Inder Raj Anand was a writer and director, known for Sangam (1964), C.I.D. (1956) and Asli-Naqli (1962). He died on 6 March 1987.

    • March 6, 1987
  5. He was father to actor-director Tinnu Anand and producer Bittu Anand. Inder's grandson is noted film director Siddharth Anand (Salaam Namaste (2005) and Anjaana Anjaani (2010)). [4] Famous director Mukul Anand was Inder's nephew. Shahenshah, starring Amitabh Bachchan, was Inder's last film as a writer. It was produced by his son, Bittu, and was ...

  6. Inder Raj Anand Biography . Inder Raj Anand was a famous scriptwriter, story writer and dialogue writer of Bollywood during 50’s to 80’s. His pen (as dialogue or script) has delivered numerous blockbusters to Bollywood including – Phoolom ke sej, Jawani diwani, Aah, Sasural, Safar, Bobby, Ek duje ke liye, Rakhwala, Humraahi, Asli naqli, Ghar ghar ki kahani, Prem nagar, Sangham, CID, New Delhi, Bahurani, Aina, Nagin, Chalia, Sapnom ka saudagar, Gai aur gori, Fasla, Mard, Kalia, raj ...

  7. People also ask

  8. Film dialogue and screenwriter in Hindi cinema, Inder Raj Anand was born in Miani, now Pakistan. He was educated in Lahore and Hyderabad, and went on to be closely associated with the IPTA’s Bombay branch. He started off as a playwright for Prithviraj Kapoor’s Prithvi Theatres, writing landmark plays like Deewar and Ghaddar. He was also a close friend of writer-director K.A. Abbas through IPTA. He was a publicist for Minerva when he was hired by Raj Kapoor to write Aag (1948). This l...