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      • He was rooted in the cultural tradition of his soil with a deep understanding of Western dramatic aesthetics and craft. His two plays – “Tughlaq” and “Hayavadana”– have helped redefine the form and structure of drama.
      www.thehindu.com/entertainment/theatre/girish-karnad-a-visionary-playwright/article27897127.ece
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  2. Sep 27, 2021 · Hari Padma Rani also gives credit to Karnad to Indianize the form of drama in English: “ Girish Karnad has attempted to Indianize the form by using some of the conventions of Indian Classical drama and some of those of the folk theatre and by blending them in a singular style of his own” (15).

  3. Girish Karnad (19 May 1938 – 10 June 2019) [1] was an Indian actor, film director, Kannada writer, [2] playwright and a Jnanpith awardee, who predominantly worked in Kannada, Hindi, Tamil, Telugu, Malayalam and Marathi films.

  4. Girish Karnad is one among the intellectuals who felt the spirit of humanism in his heart and dramas and his dramas are nothing but the living documents of existentialism. This article throws light on Girish Karnad’s existential philosophy and his views on the problems of isolation and frustration in this world.

  5. Jun 13, 2019 · His two plays – “Tughlaq” and “Hayavadana”– have helped redefine the form and structure of drama. Arguably, Karnad is the first contemporary Indian playwright whose works have been ...

  6. Sircar, Vijay Tendulkar, and Girish Karnad have remained the most representative of the Indian English drama not only in Bengali, Hindi, Marathi and Kannada respectively but also on the pan-

  7. Jul 4, 2021 · When Kannada cinema staked its claim on neorealism with the film version of U.R. Ananthamurthy’s searing portrayal of Brahminism in his novel Samskara , Girish Karnad not only played the lead,...

  8. Aug 30, 2024 · Girish Karnad (born May 19, 1938, Matheran, Bombay Presidency [now in Maharashtra], India—died June 10, 2019, Bengaluru, Karnataka) was an Indian playwright, author, actor, and film director whose movies and plays, written largely in Kannada, explore the present by way of the past.