Yahoo India Web Search

Search results

    • Co-written and directed by Michelangelo Antonioni

      • La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti.
      en.wikipedia.org/wiki/La_Notte
  1. People also ask

  2. en.wikipedia.org › wiki › La_NotteLa Notte - Wikipedia

    La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti.

  3. Jan 20, 2021 · Following the wanderings of an estranged couple over a single day in 1960s Milan, the middle part of Michelangelo Antonioni’s classic alienation trilogy unmasked the aimless hedonism of modern life.

  4. Moodily sensual cinematography and subtly expressive performances make La notte an indelible illustration of romantic and social deterioration. This psychologically acute, visually striking modernist work was director Michelangelo Antonionis follow-up to the epochal L’avventura.

    • Lidia
  5. Feb 6, 2015 · As in most of his films, Antonioni’s wealthy protagonists in La notte live in a hell of their own making.

    • Gwendolyn Audrey Foster
  6. La Notte: Directed by Michelangelo Antonioni. With Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki. A day in the life of an unfaithful married couple and their steadily deteriorating relationship.

    • (24K)
    • Drama
    • Michelangelo Antonioni
    • 1962-02-19
  7. Synopsis. Due to the growing lack of communication and the sudden tedium in their relationship, Giovanni Pontano, a successful writer, and his wife Lidia realise that their love is now dead, after just a few years of marriage.

  8. Sep 9, 2016 · La Notte. It remains at once the most bracingly concrete and amorously diffuse of Antonioni’s films. by Jordan Cronk. September 9, 2016. For all the discussion over the decades of Michelangelo Antonioni’s high-minded, abstractionist tendencies, he is, in many of the same ways, one of the most literal of filmmakers.