Yahoo India Web Search

Search results

  1. People also ask

  2. en.wikipedia.org › wiki › Bimal_RoyBimal Roy - Wikipedia

    Bimal Roy (12 July 1909 – 7 January 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin, Parineeta, Biraj Bahu, Devdas, Madhumati, Sujata, Parakh and Bandini, making him an important director of Hindi cinema.

  3. Jul 12, 2023 · An auteur filmmaker, who belonged to the Golden Age of cinema, Bimal was among the first few filmmakers who realised and harnessed the power of cinema in reflecting reality and demanding social change. But don’t mistake him for someone who would suck the life out of a story to dole out a powerful message; Roy was never a preacher.

    • 153
  4. He was a legend in his lifetime. Bimal Roy, the ‘Silent Master of Indian Cinema’, ushered in the golden age of Indian Cinema in the 1940’s. A socially committed director, his films had the power to inspire and move audiences.

  5. Jun 18, 2019 · Our images and memories of Calcutta and Bengal today would be incomplete without the work of Bimal Roy, a cameraman-turned-director, whose films have shaped and contributed to a very valuable part of Indian cinema.

    • Who is Bimal Roy?1
    • Who is Bimal Roy?2
    • Who is Bimal Roy?3
    • Who is Bimal Roy?4
    • Who is Bimal Roy?5
    • The Pioneer
    • The Human Module
    • Selection of Themes

    Bimal Roy’s works stand out for their photography. He took great care to reveal the light source and introduced a sense of time. More importantly, it connected one to reality. You could tell what time of the day a situation was taking place. His experience as a cameraman was a great asset to him as a director. There had been other cameramen as well...

    When I say he was connecting to reality, and using the human module, I mean that Bimal Roy was making human beings seem as human beings. This was quite unlike what you can do with the camera lens; like create a ‘hero’ or give them ‘heroic proportion’ making characters look larger than life, or reduce them. These were some of the expressionist devic...

    And this humanism was manifest in his selection of themes, like in the film Sujata, which is about a Harijan girl. Most of his films are consciously concerned with reforms or with social morality of one kind or another; he was not an escapist in any sense of the term. The family was the social unit through which were dealt issues like economic ineq...

  6. Jan 8, 2019 · On the filmmaker’s 53rd death anniversary, ThePrint takes a look at the work and life of Roy. Show Full Article. Roy was born on 12 July 1909 into a family of landlords in East Bengal (now Bangladesh). He was a student when he lost his father.

  7. Apr 16, 2021 · But if Roy’s parallel cinema peers pioneered a truly alternative tradition—Ray with his literary realism, Ritwik Ghatak with his expressionist melodrama, and Mrinal Sen with his Marxist experiments in montage—Roy developed a more vernacular style that infused popular genres with a new dynamism.