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  1. Dec 2, 2022 · Mundruczo’s style is direct and emotional, but it is often tinged with fantastical elements that veer into magical realism: In one particularly vivid example, a recent Mundruczo production...

  2. Kornél Mundruczó - Wikipedia. Kornél Mundruczó (Hungarian: [ˈkorneːl ˈmundrut͡soː]; born 3 April 1975) is a Hungarian film and theatre director. He has directed 18 short and feature films between 1998 and 2020. His film Johanna was screened in the Un Certain Regard section of the 2005 Cannes Film Festival. [1] .

    Year
    Title
    Theatre
    2020
    The Seven Deadly Sins/Motherland
    Theater Freiburg, Germany; Proton ...
    2019
    Evolution
    Ruhrtriennale, Bochum, Germany; Proton ...
    2019
    Liliom
    Thalia Theater, Hamburg, Germany;
    2018
    Pieces of a Woman
    TR Warszawa, Poland
  3. Mar 20, 2015 · One never knows what to expect from Hungarian filmmaker Kornél Mundruczó, whose mythic investigations of human nature have established him as one of the most singular voices of contemporary European cinema.

  4. May 20, 2008 · The director conveys this philosophy through a lyrical style reminiscent of the work of Terence Malick, a masterful approach full of subtle atmospheres and understated emotions, including during an awful and lengthy rape scene, which is glimpsed from afar.

  5. Jan 6, 2021 · Kornél Mundruzcó: It’s a very complex question because there is an illusion in between cultures and how you can build bridges in between cultures and there are much more complex questions that rise up when you are adapting your script to another culture.

  6. ‘I strive to create something as complex as our life feels,’ says Kornél Mundruczó, the director of ‘Pieces of a Woman’, an intense play that was followed by an acclaimed film version based on the same script by Kata Wéber. The show was first produced in 2018 by TR Warszawa and has since received praise in Poland and abroad.

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  8. Dec 9, 2022 · In equal measures refreshing and exasperating, Mundruczó’s production strips away traditional ballast without finding any true coherence. That is left to conductor François-Xavier Roth and the...