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  1. In 2008, there was a slight tussle between Ali and film director Rituparno Gosh due to the looks of actor Amitabh Bachchan in the film ‘The Last Lear’. Ali felt the look was a copy of his own style; however, Rituparno denied the allegations and maintained that the look was an inspiration from Rabindranath Tagore.

    • Aditi Joshi
    • What happened between Muzaffar Ali and Rituparno Gosh?1
    • What happened between Muzaffar Ali and Rituparno Gosh?2
    • What happened between Muzaffar Ali and Rituparno Gosh?3
    • What happened between Muzaffar Ali and Rituparno Gosh?4
  2. Feb 4, 2015 · In this article we introduce the queer Bengali auteur Rituparno Ghosh (1961–2013), who had a significant role in reviving the Bengali film industry that was going through a dark phase for a little more than a decade.

    • Sangeeta Datta, Kaustav Bakshi, Rohit K. Dasgupta
    • 2015
  3. Feb 4, 2015 · In this article we introduce the queer Bengali auteur Rituparno Ghosh (1961–2013), who had a significant role in reviving the Bengali film industry that was going through a dark phase for a...

  4. Aug 31, 2023 · Rituparno Ghosh was not only a master of capturing the complexities of human relationships but also had an uncanny knack for portraying table conversations with a depth that is rare in cinema.

  5. Everyone started to realise, Rituparno Ghosh was not here to cower down on the face of criticism. And so came the second wave of his work—his venture into Bollywood. To the layman this phase of Rituparno Ghosh’s work was focused on scripts based on Bollywood stars and banking in on their star power. But in reality, it was about ...

  6. This dark phase lasted for more than a decade, after the sudden demise of the matinee idol Uttam Kumar in 1980 (Gooptu, 2011). Rituparno Ghosh arrived in the early 1990s, taking over the reins of a struggling industry.

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  8. May 30, 2018 · Rituparno Ghosh, in every sense, altered the Bengali film industry by making cinema for the new Bengal of the 1990s. The world he created was unique to the Bengal of the 1990s - its demeanour and aesthetics reeking of a newfound aspiration and desire to turn away from the age-old Leftist tendencies.