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Oct 10, 2016 · Performativity of gender is a stylized repetition of acts, an imitation or miming of the dominant conventions of gender. Butler argues that “the act that one does, the act that one performs is, in a sense, an act that’s been going on before one arrived on the scene” ( Gender Trouble ).
Oct 19, 2022 · The most influential concept in Butler’s work is “gender performativity”. This theory has been refined across Butler’s work over several decades, but it is addressed most directly in Gender...
Judith Butler, who in particular is associated with poststructural thinking about performatives, developed a theory of performativity which linked it to ways of doing gender. In her rethinking of performativity and gender, discourse and repetition construct a sense of what gender identity is.
Feb 14, 2023 · The theory of gender performativity was introduced by feminist philosopher Judith Butler in her 1990 text Gender Trouble. For Butler, and for queer theory more broadly, gender is what you do, not who you are.
The idea of performativity is introduced in the first chapter of Gender Troublewhen Butler states that “gender proves to be performance— that is, constituting the identity it is purported to be. In this sense, gender is always a doing, though not a doing by a subject who might be said to pre-exist the deed” (GT: 25).
Butler went on to argue that sex/gender anchored the "heterosexual matrix," a concept she introduced to parse the cultural logic of straightness. The matrix prescribes a "causal continuity among sex, gender, and desire". (GT, 22) together with a "binary disjunction" so that "one either identifies.
Butler underscores gender's constructed nature in order to fight for the rights of oppressed identities, those identities that do not conform to the artificial—though strictly enforced—rules that govern normative heterosexuality.
Judith Butler's notion of "performativity," seek to ground her philosophical claims in more localized, ethnographic accounts of diverse communities of practice. Butler's argument that gender works as a performative, constitut-ing the very act that it performs, is, as linguists such as Anna Livia, Deborah
The second half of the chapter focuses on linguistic theories of performativity, derived from J. L. Austin and Jacques Derrida, and how they have been used by feminists, such as Catharine MacKinnon, Rae Langton, and Judith Butler, to illustrate pornography and hate speech.
The concept of performativity is at the core of Butler's work. It extends beyond the doing of gender and can be understood as a fully fledged theory of subjectivity. Butler's more recent work relies on performativity as a theoretical matrix. Given the ways in which Judith Butler's rich work has been developed and used
